An integration of texts from political theory, psychoanalysis, history and literature, this work offers a strong interpretation of the interrelated representation of subjectivity and absolutism on the 17th-century stage.
A study of all of the major tragedies of Jean Racine, France's preeminent dramatist-and, according to many, its greatest and most representative author-Mitchell Greenberg's work offers an exploration of Racinian tragedy to explain the enigma of the plays' continued fascination.
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