Böcker av Mort Künstler

For nearly thirty years, Mort K?nstler has focused his considerable artistic talent on interpreting the Civil War. In crafting his work to reflect poignant moments or critical instances of the conflict, he has turned to leading historians and scholars?such as Henry Steele Commager, James McPherson, William C. Davis, and James I. Robertson Jr.?for informative details that he has then translated on canvas to create an indelible image of this defining ordeal in America's history. More that 160 of these images?supplemented by preliminary sketches, early studies, and photographs of works in progress?are the basis for the four volumes in this series.

For nearly thirty years, Mort Kunstler has focused his considerable artistic talent on interpreting the Civil War. In crafting his work to reflect poignant moments or critical circumstances of the conflict, he has turned to leading historians and scholars for informative details that he has then translated on canvas to create an indelible image of this defining ordeal in America's history. More than 160 of these images?supplemented by preliminary sketches, early studies, and photographs of works in progress?are the basis for this book. Kunstler has also explored the human side of this national struggle. Thus he has produced thoughtful studies of leaders at decisive moments, instances of daily camp life for the soldiers, and those early romantic notions that it would be a bloodless war, predicated on the belief that a show of inner strength would prevail. In the past twenty years, Kunstler's portfolio has been published in twelve books, including companion pieces for the epic films ?Ge

Mort Künstler is "the foremost Civil War artist of our time-if not all time," says Professor James I. Robertson Jr., the dean of Civil War historians. "To study his paintings is to simply see history alive." This second of four volumes of Mort Künstler's Civil War paintings depicts the conflict just before the battle at Fredericksburg and leading up to Gettysburg. After the battle of Antietam, Union commander Ambrose E. Burnside renewed the march on Richmond with a disastrous attack at Fredericksburg. The paintings Strategy in the Snow, So Close to the Enemy, and In the Hands of Providence convey the nature of the December 1862 battle.With spring came a new Federal commander, Joseph Hooker, and an attack along a wider front. Eventually, the armies clashed at an obscure crossroads in the Virginia Wilderness known as Chancellorsville. Here the Lee-Jackson partnership reached its apex, and her Jackson was wounded and later died. Lee's audacity and Jackson's determination are brilliantly depicted with the paintings Last Council, Tactics and Strategy, and The Last Meeting. The crescendo and climax of the battle are portrayed in End of a Legend and His Supreme Moment.Subsequently, Lee launched his own offensive campaign into Union territory. Here Künstler explores the high morale of the Confederate with a series of paintings around Jeb Stuart's grand review of his cavalry corps and the two opulent balls he hosted prior to the beginning of the Gettysburg campaign. Likewise, the artist conveys the optimism of Lee's soldiers as they splash across the Potomac in "Maryland, My Maryland."Perhaps no other artist has recorded so many events in the Civil War, and certainly none have painted them with the authenticity and drama of Mort Künstler.