Böcker av Mynona

Mynona's self-styled "grotesques" inhabit an uncertain ground between fairy tale, fetishism and philosophy, satirizing everything from nationalism to philanthropyFirst published in German in 1916, Black-White-Red collects six bizarre tales by the "laughing philosopher" Salomo Friedlaender, who wrote his literary work under the pseudonym Mynona (the reversed German word for "anonymous"). In this collection, we encounter a tongue-in-cheek showdown between Goethe and Newton, whose theories of color clash in the form of a nationalistic flag; another story presents the inventor of the tactilestylus setting out to capture the residual sound waves of Goethe speaking in his study through a mechanical recreation of his vocal apparatus, with its amplification set to infinite. In "The Magic Egg," one of Mynona's most emblematic and curious tales, a man encounters an enormous bisecting mechanical egg in the middle of the desert that houses a mummy and a possible pathway to utopia on Earth.Mynona, aka Salomo Friedlaender (1871-1946), was a perfectly functioning split personality: a serious philosopher by day (author of Friedrich Nietzsche: An Intellectual Biography and Kant for Kids) and a literary absurdist by night, who composed black humored tales he called "grotesques." He inhabited the margins of German Expressionism and Dada, and his friends and fans included Martin Buber, Walter Benjamin and Karl Kraus.

"Originally published as Mein Papa und die Jungfrau von Orlâeans: Nebst anderen Grotesken (Mèunchen: Kurt Wolff Verlag, 1921)."--Title page verso.

"Originally published as Das widerspenstige Brautbett und andere Grotesken (Mèunchen: Kurt Wolff Verlag, 1921)."--Title page verso.

A philosophical fable from a great forgotten German fabulistBilled by its author--the pseudonymous Mynona (German for "anonymous" backward)--as "the most profound magical experiment since Nostradamus," The Creator tells the tale of Gumprecht Weiss, an intellectual who has withdrawn from a life of libertinage to pursue his solitary philosophical ruminations. At first dreaming and then actually encountering an enticing young woman named Elvira, Weiss discovers that she has escaped the clutches of her uncle, the Baron, who has been using her as a guinea pig in his metaphysical experiments. But the Baron catches up with them and persuades Gumprecht and Elvira to come to his laboratory, to engage in an experiment to bridge the divide between waking consciousness and dream by entering a mirror engineered to bend and blend realities. Mynona's philosophical fable was described by the legendary German publisher Kurt Wolff as "a station farther on the imaginative train of thought of Hoffmann, Villiers, Poe, etc.," when it appeared in 1920, with illustrations by Alfred Kubin (included here). With this first English-language edition, Wakefield Press introduces the work of a great forgotten German fabulist. Mentioned in his day in the same breath as Kafka, Mynona, aka Salomo Friedlaender (1871-1946), was a perfectly functioning split personality: a serious philosopher by day (author of Friedrich Nietzsche: An Intellectual Biography and Kant for Children) and a literary absurdist by night, who composed black humored tales he called Grostesken. His friends and fans included Martin Buber, Walter Benjamin and Karl Kraus.