Nick Bromell examines how Frederick Douglass forged a distinctively black political philosophy out of his experiences as an enslaved and later nominally free man in ways that challenge Anglo-Continental traditions of political thought.
This work takes us back to the primal scene of the 1960s and asks: what happened when young people got high and listened to rock as if it really mattered - as if it offered meaning and sustenance, not just escape and entertainment?
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