Illuminates modernism through little-known but striking works by Ezra Pound, Gertrude Stein, and others who revived the 'closet drama' - plays written largely for private reading - as a means of exploring forbidden sexualities.
Drawing on an eclectic range of texts and figures, from the Greek Cynics to Tori Amos, Nick Salvato finds that embarrassment, laziness, slowness, cynicism, and digressiveness can paradoxically enable alternative modes of intellectual production.
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