Böcker av Norris J. Lacy

Lancelot is the central romance of the Vulgate Cycle, in which the chivalric elements in Arthur's court come to the fore. These chivalric elements contain the seeds of Arthur's destruction and the dissolution of the Round Table, as Lancelot's love for Guinevere undermines his bond to Arthur; the tension between love, prowess and loyalty is the undercurrent of the long romance which describes the exploits which he performs in her service. It also includes many stories which are chivalric adventures largely unrelated to the main theme, and uses the device of interweaving these stories to form a huge stream of narrative. This series of episodic pictures leads ultimately to thebirth of Lancelot's son Galahad, who is destined to become the hero of the Grail. Parts five and six of Lancelot move nearer to the beginning of the Grail quest; Lancelot comes to the Grail castle, and is deceived intosleeping with Elaine, thinking that she is Guinevere; Galahad is born of their union. Arthur's wars with Rome are retold from the original chronicle versions, and Lancelot plays a major part in the king's victory. Lancelot is deceived again when Elaine comes to Arthur's court, and when Guinevere realises that he has slept with Elaine; she banishes him from court, and he goes mad with grief. The romance ends with Lancelot's return to sanity and the arrivalof Galahad at court. For a full description of the Vulgate Cycle see the blurb for the complete set.

First Published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.

The 'Vulgate' and 'Post-Vulgate' cycles are the French equivalent of Malory's Morte Darthur, written in the thirteenth century. Malory drew on both of them as his source, and they are the cornerstone text of all Arthurian romance.

The Story of Merlin depicts the role of the seer Merlin in the conception and birth of Arthur, who is to rescue Britain from the Saxons and establish an ideal kingdom. It follows Arthur's career as he is designated king bythe magical sign of the Sword in the Stone, triumphs over his rebellious barons and drives out the Saxons. With his marriage to Guinevere, he acquires the Round Table, and sets up the famous order of knighthood which is at the centre of his power. The Merlin was written after the last three romances of the Vulgate Cycle were already complete, and serves as a prologue to the history of Arthur, just as the History of the Holy Grail is theprologue to the adventures of the Grail. For a full description of the Vulgate Cycle see the blurb for the complete set.

The revised version of The Quest of the Holy Grail gives a greater role to Perceval, and introduces a number of knights not found in the Vulgate; but the largest change is that much of the story of Tristan (and of his rivalPalamedes) is incorporated into the story. The achievement of the Grail quest centres on Galahad's healing of Pellehan, which has to be accomplished before the knights can reach the Grail itself. The Death of Arthur is little more than a relatively brief postscript, bringing the story of the adventures of the kingdom of Logres to an end; Lancelot and Guenevere are revealed as lovers, and Arthur fights both Lancelot and then the Romans. Despite thisvictory, he is betrayed and killed by Mordred, as has been foreshadowed from the outset of the new material. The romance ends with king Mark of Cornwall's death when he attempts to kill Lancelot and Bors at the hermitage to whichthey have retreated. For a full description of the Post-Vulgate Cycle see the blurb for the complete set.

An examination of both the role played by Fortune in Arthurian literature and legend, and the fortunes of the legend itself.

Lancelot is the central romance of the Vulgate Cycle, in which the chivalric elements in Arthur's court come to the fore. These chivalric elements contain the seeds of Arthur's destruction and the dissolution of the Round Table, as Lancelot's love for Guinevere undermines his bond to Arthur; the tension between love, prowess and loyalty is the undercurrent of the long romance which describes the exploits which he performs in her service. It also includes many stories which are chivalric adventures largely unrelated to the main theme, and uses the device of interweaving these stories to form a huge stream of narrative. This series of episodic pictures leads ultimately to the birth of Lancelot's son Galahad, who is destined to become the hero of the Grail. Parts three and four of Lancelot begin with the episode of the false Guinevere, in which Guinevere is accused of being an impostor; Lancelot is then abducted and imprisoned by Morgan le Fay, who out of hatred for Arthur intends to reveal their love to the king. When he escapes, Guinevere is abducted by Meleagant, and Lancelot has to rescue her. In the course of these adventures, the Grail appears for the first time: Lancelot comes to the Burning Tomb, where he learns that his sins will prevent him from succeeding in the Grail Quest; and Gawain reaches the Grail Castle, but fails the test. For afull description of the Vulgate Cycle see the blurb for the complete set.

Presenting the Old French verse texts devoted to Tristan and Iseut, these critical editions are complemented by parallel translations, with introduction, variants and rejected readings, and critical notes. The Tristan tradition in medieval France is dominated by two longer poems by Beroul and Thomas, both included in these volumes.

First volumes in new series: 12th-century French retellings and variations of the story of Tristan and Iseut.

A survey of critical attention devoted to Arthurian matters.

One of the most important medieval authors studied in historical and literary context.

Lancelot is the central romance of the Vulgate Cycle, in which the chivalric elements in Arthur's court come to the fore. These chivalric elements contain the seeds of Arthur's destruction and the dissolution of the Round Table, as Lancelot's love for Guinevere undermines his bond to Arthur; the tension between love, prowess and loyalty is the undercurrent of the long romance which describes the exploits which he performs in her service. It also includes many stories which are chivalric adventures largely unrelated to the main theme, and uses the device of interweaving these stories to form a huge stream of narrative. This series of episodic pictures leads ultimately to the birth of Lancelot's son Galahad, who is destined to become the hero of the Grail. Parts one and two of Lancelot cover Lancelot's boyhood and his admission to Arthur's court, where he falls immediately in love with Guinevere. The adventures and quests which follow take us to the point where he becomes a companion of the Round Table. For a full description of the Vulgate Cycle see the blurb for the complete set.

Everything you ever wanted to know about King Arthur and his knights is covered in this fascinating volume,

AlthoughThe History of the Holy Grail opens the Vulgate Cycle, it was added after the events described in Lancelot and The Quest of the Holy Grail were already an established part of the Arthurian story. It is, in Hollywood terms, a `prequel', and relates the story of the Grail from its first appearance at the Crucifixion up to the point where it is placed by Alain, the Fisher King, in the castle of Corbenic, whose inhabitants then await the arrival of the chosen Grail knight. Many points in the narrative are designed to foreshadow or to explain the later adventures connected with the Grail, but it also draws on the stories in the apocryphal gospels and other legends of the crucifixion such as the story of Veronica, as well as unrelated material such as the story of Hippocrates. But it also provides many details about the Grail itself which are not found anywhere else. It is less chivalric in tone from the subsequent books of the Vulgate Cycle, and relatively few copies of the original survive. For a full description of the Vulgate Cycle see the blurb for the complete set.

Detailed readings of 10, and lighter discussions of many others, of the 150 medieval French bawdy poems that scholars generally find it necessary to discuss as a whole, thereby missing important individual characteristics. Considers such elements as the conservatism, courtliness, women, language, t