Techno-Magism: Media, Mediation, and the Cut of Romanticism explores how British Romantic literature abuts and is organized around both print and non-print media, both the print, pictorial art, and theater of that era as well as communicative technologies invented afterward, including photography, film, video, and digital screens.
Explores the relationship among Romanticism, deconstruction, and Marxism by examining tropes of sensation and sobriety in a set of exemplary texts from Romantic literature and contemporary literary theory.
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