Literature and Photography in Transition, 1850-1915 examines how British and American writers used early photography and film as illustrations and metaphors. It concentrates on five figures in particular: Henry Mayhew, Robert Louis Stevenson, Amy Levy, William Dean Howells, and Jack London.
Dealing with moral, political and sexual tensions, this volume provides a forum for male/female dialogue concerning the history, dissemination and consequences of pornographic representaion in film and literature, aiming to challenge established views and inspire further exploration and debate.
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