Böcker av Paul Auster

The New York Trilogy is perhaps the most astonishing work by one of America's most consistently astonishing writers. The Trilogy is three cleverly interconnected novels that exploit the elements of standard detective fiction and achieve a new genre that is all the more gripping for its starkness. It is a riveting work of detective fiction worthy of Raymond Chandler, and at the same time a profound and unsettling existentialist enquiry in the tradition of Kafka or Borges. In each story the search for clues leads to remarkable coincidences in the universe as the simple act of trailing a man ultimately becomes a startling investigation of what it means to be human. The New York Trilogy is the modern novel at its finest: a truly bold and arresting work of fiction with something to transfix and astound every reader. 'Marks a new departure for the American novel.' Observer 'A shatteringly clever piece of work . . . Utterly gripping, written with an acid sharpness that leaves an indelible dent in the back of the mind.' Sunday Telegraph 'The New York Trilogy established him as the only author one could compare to Samuel Beckett.' Guardian

Three stories on the nature of identity. In the first a detective writer is drawn into a curious and baffling investigation, in the second a man is set up in an apartment to spy on someone, and the third concerns the disappearance of a man whose childhood friend is left as his literary executor.

'It was the summer that men first walked on the moon. I was very young back then, but did not believe there would ever be a future. I wanted to live dangerously, to push myself as far as I could go, and then see what happened when I got there.'So begins the mesmerising narrative of Marco Stanley Fogg - orphan, child of the 1960s, a quester by nature. Moon Palace is his story - a novel that spans three generations, from the early years of this century to the first lunar landings, and moves from the canyons of Manhattan to the cruelly beautiful landscape of the American West. Filled with suspense, unlikely coincidences, wrenching tragedies and marvellous flights of lyricism and erudition, the novel carries the reader effortlessly along with Marco's search - for love, for his unknown father, and for the key to the elusive riddle of his origins and his fate. 'Clever: very. Surprising: always - Auster is a master.' The Times

LONGLISTED FOR THE MAN BOOKER PRIZE 2017On March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born.

As autobiography, Brainard's method was brilliantly simple: to set down specific memories ('everything is interesting, sooner or later') as they rose to the surface of his consciousness, each prefaced by the refrain 'I remember.'

'It was a wrong number that started it . As Art Spiegelman explains in his new introduction, David Mazzucchelli and Paul Karasik 'created a strange doppelganger of the original book' and 'a breakthrough work.' Paul Auster's Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language.

'You think it will never happen to you, that it cannot happen to you, that you are the only person world to whom none of these things will ever happen, and then, one by one, they all begin to happen to you, in the same way they happen to everyone else.'In Winter Journal, Paul Auster moves through the events of his life in a series of memories grasped from the point of view of his life now: playing baseball as a teenager; participating in the anti-Vietnam demonstrations at Columbia University; seeking out prostitutes in Paris, almost killing his second wife and child in a car accident; falling in and out of live with his first wife; the 'scalding, epiphanic moment of clarity' in 1978 that set him on a new course as a writer.Winter Journal is a poignant memoir of ageing and memory, written with all the characteristic subtlety, imagination and insight that readers of Paul Auster have come to cherish.'An examination of the emotions of a man growing old . . . this book has much to recommend it, and Auster is unsparingly honest about himself.' Financial Times

'By the time Nashe understood what was happening to him, he was past the point of wanting it to end . . .'Paul Auster fuses Samuel Beckett, Franz Kafka and The Brothers Grimm in this brilliant and unsettling parable. Following the death of his father, Jim Nashe takes to the open road in pursuit of a 'life of freedom'. But as the money runs out he finds that his sense of disillusionment has only been compounded by his year on the road. However, after picking up Pozzi, a hitchhiking gambler, Nashe finds himself drawn into a dangerous game of high-stakes poker with two eccentric and reclusive millionaires. 'A rare experience of contemporary fiction at its most thrilling.' New Statesman

'I was looking for a quiet place to die. Someone recommended Brooklyn, and so the next morning I travelled down there from Westchester to scope out the terrain . . .'So begins Paul Auster's remarkable new novel, The Brooklyn Follies. Set against the backdrop of the contested US election of 2000, it tells the story of Nathan and Tom, an uncle and nephew double-act. One in remission from lung cancer, divorced, and estranged from his only daughter, the other hiding away from his once-promising academic career, and, indeed, from life in general.Having accidentally ended up in the same Brooklyn neighbourhood, they discover a community teeming with life and passion. When Lucy, a little girl who refuses to speak, comes into their lives, there is suddenly a bridge from their pasts that offers them the possibility of redemption. Infused with character, mystery and humour, these lives intertwine and become bound together as Auster brilliantly explores the wider terrain of contemporary America - a crucible of broken dreams and of human folly. 'Auster at the top of his game. This superb novel about human folly turns out to be tremendously wise.' New Statesman

The Book of Illusions, written with breath-taking urgency and precision, plunges the reader into a universe in which the comic and the tragic, the real and the imagined, and the violent and the tender dissolve into one another. One man's obsession with the mysterious life of a silent film star takes him on a journey into a shadow-world of lies, illusions, and unexpected love. After losing his wife and young sons in a plane crash, Vermont professor David Zimmer spends his waking hours mired in grief. Then, watching television one night, he stumbles upon a lost film by silent comedian Hector Mann, and remembers how to laugh . . .Mann was a comic genius, in trademark white suit and fluttering black moustache. But one morning in 1929 he walked out of his house and was never heard from again. Zimmer's obsession with Mann drives him to publish a study of his work; whereupon he receives a letter postmarked New Mexico, supposedly written by Mann's wife, and inviting him to visit the great Mann himself. Can Hector Mann be alive? Zimmer cannot decide - until a strange woman appears on his doorstep and makes the decision for him, changing his life forever.'A nearly flawless work . . . Auster will be remembered as one of the great writers of our time.' San Francisco Chronicle 'Auster's elegant, finely calibrated The Book of Illusions is a haunting feat of intellectual gamesmanship.' TheNew York Times

'Six days ago, a man blew himself up by the side of a road in northern Wisconsin ...' In this book, the explosion that detonates the narrative also ends the life of its hero, Benjamin Sachs, and brings two FBI agents to the home of one of Sachs' oldest friends, the writer Peter Aaron. What follows is Aaron's story...

Sinuously constructed in four interlocking parts, Invisible opens in New York City in the spring of 1967 when twenty-year-old Adam Walker, an aspiring poet and student at Columbia University meets the enigmatic Frenchman Rudolf Born, and his silent and seductive girlfriend Margot. Before long, Walker finds himself caught in a perverse triangle that leads to a sudden, shocking act of violence that will alter the course of his life.Three different narrators tell the story, as it travels in time from 1967 to 2007 and moves from New York to Paris and to a remote Caribbean island in a story of unbridled sexual hunger and a relentless quest for justice.With uncompromising insight, Auster takes us to the shadowy borderland between truth and memory, authorship and identity to produce a work of unforgettable power that confirms his reputation as one of America's most spectacularly inventive writers.

Meet Mr Bones, the canine hero of Paul Auster's remarkable novel. Bones is the sidekick of Willy G. Christmas, a brilliant but troubled poet-saint from Brooklyn. Together they sally forth across America to Baltimore, Maryland, on one last great adventure, searching for Willy's old teacher, Bea Swanson. Years have passed since Willy last saw his beloved mentor, who used to know him as William Gurevitch, son of Polish war refugees. But is Mrs Swanson still alive? And if not, what will prevent Willy from vanishing into that other world known as Timbuktu? 'In this brilliant novel, Auster writes with economy, precision and the quirky pathos of noir, addressing the pernicious ubiquity of American consumerism, the nature of love and the core riddles of ontology. Above all, though, this is the affecting tale of a special dog's place in the universe of humans and in the fleeting life of a special man.' Publishers Weekly

Chosen by Paul Auster out of the four thousand stories submitted to his radio programme on National Public Radio, these 180 stories provide a wonderful portrait of America in the twentieth century. The requirement for selection was that each of the stories should be true, and each of the writers should not have been previously published. The collection that has emerged provides a richly varied and authentic voice for the American people, whose lives, loves, griefs, regrets, joys and sense of humour are vividly and honestly recounted throughout, and adeptly organised by Auster into themed sections. The section composed of war stories stretches as far back as the Civil War, still the defining moment in American history; while the sequence of 'Meditations' conclude the volume with a true and abiding sense of transcendence. The resultant anthology is both an enduring hymn to the strange everyday of contemporary American life and a masterclass in the art of storytelling.

'One of the most original and audacious autobiographies ever written by a writer.' Le Monde Hand to Mouth tells the story of the young Paul Auster's struggle to stay afloat. By turns poignant and comic, Auster's memoir is essentially a book about money - and what it means not to have it. From one odd job to the next, from one failed scheme to another, Auster investigates his own stubborn compulsion to make art and, in the process, treats us to a series of remarkable adventures and unforgettable encounters. The book ends with three of the longest footnotes in literary history: a card game, a thriller about baseball, and three short plays. Hand to Mouth is essential reading for anyone interested in Paul Auster, in the figure of the struggling artist, in the nature of poverty, or in baseball.

BLOODBATH NATION is about the Epidemic that is tearing apart the fabric of American society.An Epidemic caused - not by Covid - but by Guns.Among its victims are men, women, teenagers, children, and even babies.

* * * Shortlisted for the Man Booker Prize * * *New York Times Bestseller, Los Angeles Times Bestseller, Boston Globe Bestseller, National Indiebound Bestseller"An epic bildungsroman . . . . Original and complex . . . . A monumental assemblage of competing and complementary fictions, a novel that contains multitudes."-Tom Perrotta, The New York Times Book Review"A stunningly ambitious novel, and a pleasure to read. . . . An incredibly moving, true journey."-NPR Paul Auster's greatest, most heartbreaking and satisfying novel-a sweeping and surprising story of birthright and possibility, of love and of life itself.Nearly two weeks early, on March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson's life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson's pleasures and ache from each Ferguson's pains, as the mortal plot of each Ferguson's life rushes on. As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

A LOS ANGELES TIMES BOOK PRIZE WINNERA BOSTON GLOBE BEST BOOK OF 2021Booker Prize-shortlisted and New York Times bestselling author Paul Auster's comprehensive, landmark biography of the great American writer Stephen Crane.With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight.Auster's probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville's most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death.In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane's astonishing originality and productivity, provides uniquely knowing insight into Crane's creative processes to produce the rarest of reading experiences-the dramatic biography of a brilliant writer as only another literary master could tell it.

“On the eve of Christmas Eve...” Paul Auster writes, “Tyler Kobe Nichols collapsed onto the sidewalk with three knife wounds in the front of his torso and one in the back.”His death soon followed. With it, the twenty-one-year-old joined the ranks of young people killed by senseless violence in America. Tyler’s death warranted just two paragraphs in the New York Daily News. And yet with each death, a new story begins that is rarely if ever told; one that centers around the fallout from traumatic loss. This story, as Tyler’s mother Sherma Chambers keenly observes, is generational, with no clear end in sight.Long Live King Kobe began with a mistake. Photographer Spencer Ostrander had arrived at the funeral for Tyler believing he was a victim of gun violence, and hoping to include him in an ongoing project Ostrander had created to document the lives of gun victims. Instead, he met Sherma Chambers, and a week later a collaboration, which soon included Paul Auster, had begun--one in which a pair of strangers would join a family in their sorrow.Thanks to the generosity of the entire Nichols/Chambers family, Long Live King Kobe invites us to join them in their intimate grief in the weeks that followed Tyler’s death. The family’s response to his murder, including their creation of a foundation dedicated to counteracting street violence with love, is one that presents their tragedy as a means for our society to grow.Long Live King Kobe offers a privileged journey into the power of community for all who have felt outrage, confusion, sadness, and deep despair at the epidemic of violence in our country. It also provides reason to hope. The Long Live King Kobe Foundation, started by Sherma Chambers, will support nonviolence initiatives to keep youth safe. Proceeds from this book will benefit the foundation.

During the 20th Century, France was home to many of the world's greatest poets. This collection highlights some of the very best verse that came out of a country and century defined by war and liberation. Let Paul Auster guide you through some of the best poetry that 20th century France has to offer. "Indispensable . . . a book that everyone interested in modern poetry should have close to hand, a source of renewable delights and discoveries, a book that will long claim our attention . . . To my knowledge, no current anthology is as full and as deftly edited."-Peter Brooks, The New York Times Book Review "One of the freshest and most exciting books of poetry to appear in a long while . . . Paul Auster has provided the best possible point of entry into this century's most influential body of poetry."-Geoffrey O'Brien, The Village Voice

A BOSTON GLOBE BEST BOOK OF 2021Booker Prize-shortlisted and New York Times bestselling author Paul Auster's comprehensive, landmark biography of the great American writer Stephen Crane.With Burning Boy, celebrated novelist Paul Auster tells the extraordinary story of Stephen Crane, best known as the author of The Red Badge of Courage, who transformed American literature through an avalanche of original short stories, novellas, poems, journalism, and war reportage before his life was cut short by tuberculosis at age twenty-eight.Auster's probing account of this singular life tracks Crane as he rebounds from one perilous situation to the next: A controversial article written at twenty disrupts the course of the 1892 presidential campaign, a public battle with the New York police department over the false arrest of a prostitute effectively exiles him from the city, a star-crossed love affair with an unhappily married uptown girl tortures him, a common-law marriage to the proprietress of Jacksonville's most elegant bawdyhouse endures, a shipwreck results in his near drowning, he withstands enemy fire to send dispatches from the Spanish-American War, and then he relocates to England, where Joseph Conrad becomes his closest friend and Henry James weeps over his tragic, early death.In Burning Boy, Auster not only puts forth an immersive read about an unforgettable life but also, casting a dazzled eye on Crane's astonishing originality and productivity, provides uniquely knowing insight into Crane's creative processes to produce the rarest of reading experiences-the dramatic biography of a brilliant writer as only another literary master could tell it.

An old man sits in a room, with a single door and window, a bed, a desk and a chair. Each day he awakes with no memory, unsure of whether or not he is locked into the room. Attached to the few objects around him are one-word, hand-written labels, and on the desk is a series of vaguely familiar black-and-white photographs and four piles of paper. Then a middle-aged woman called Anna enters and talks of pills and treatment, but also of love and promises.Who is this Mr Blank, and what is his fate? What does Anna represent from his past - and will he have enough time to ever make sense of the clues that arise?After the huge success of The Brooklyn Follies, his new novel sees Auster return to the metaphysical territory familiar from his enormously influential The New York Trilogy. A dark puzzle, and a game that implicates both reader and writer alike, Travels in the Scriptorium is a mind-altering exploration of language, responsibility and the passage of time. 'Travels in the Scriptorium returns to . . . the nihilistic gaiety of Beckett (in particular Krapp) or the sub-dermal violence of Pinter.' New Statesman

Nathan Glass has come to Brooklyn to die. Divorced, retired, estranged from his only daughter, the former life insurance salesman seeks only solitude and anonymity. Then Glass encounters his long-lost nephew, Tom Wood, who is working in a local bookstore. Through Tom and his charismatic boss, Harry, Nathan's world gradually broadens to include a new set of acquaintances, which leads him to a reckoning with his past.

This collection of Paul Auster screenplays brings together the film work of a writer whose novels have earned him the reputation as 'one of America's most spectacularly inventive writers.' (Times Literary Supplement) Auster has also brought this sense of restless invention to the art of screenwriting, producing Smoke, Blue in the Face, Lulu on the Bridge and The Inner Life of Martin Frost.The prize-winning Smoke tells the story of a novelist, a cigar store manager, and a black teenager who unexpectedly cross paths and end up changing each other's lives in indelible ways. Set in contemporary Brooklyn, Smoke directly inspired Blue in the Face, a largely improvised comedy shot in a total of six days.Lulu on the Bridge is both a thriller and a fairy tale: when jazz musician Izzy Maurer is accidentally hit by a bullet during a performance in a New York club, he is led on a journey into the strange and sometimes frightening labyrinth of his soul. The Inner Life of Martin Frost follows the mysterious and unsettling experiences that befall writer Martin Frost when he borrows a friend's country house and sets out to write a story about elusive and impossible love.The volume also contains production notes, as well as interviews with Paul Auster about his work in film.

The figure of the young American poet living in Paris is familiar from Paul Auster's celebrated novels; here that character is realised in Auster's own stunningly accomplished verse. His penetrating and charged poetry resembles little else in recent American literature. This collection of his poems, translations, and composition notes from early in his career furnish yet further evidence of his literary mastery. Taut, densely lyrical and everywhere informed by a powerful and subtle music, this selection begins with the compact verse fragments of Spokes (written when Auster was in his early twenties) and Unearth, continues on through the more ample meditations of Wall Writing, Disappearances, Effigies, Fragments From the Cold, Facing the Music, and White Spaces, then moves further back in time to include Auster's revealing translations of many of the French poets who influenced his own writing - including Paul Eluard, Andr, Breton, Tristan Tzara, Philippe Soupault, Robert Desnos and Ren, Char - as well as the provocative and previously unpublished 'Notes From A Composition Book' (1967). An introduction by Norman Finkelstein connects biographical elements to a consideration of the work, and takes in Auster's early literary and philosophical influences. For those interested in Paul Auster's novels - the now-classic New York Trilogy or The Brooklyn Follies - this book is an invaluable opportunity to witness his early development.Powerful, sometimes haunting, cool, precise and limpid, this view from the past to the present will appeal to those unfamiliar with this aspect of Auster's work, as well as those already acquainted with his poetry. Readers will agree that Auster's grasp on language and the world around him is not only questioning, but mysterious and very human, perceptive, and deeply compelling

A graphic novel classic with a new introduction by Art SpiegelmanQuinn writes mysteries. The Washington Post has described him as a "post-existentialist private eye." An unknown voice on the telephone is now begging for his help, drawing him into a world and a mystery far stranger than any he ever created in print.Adapted by Paul Karasik and David Mazzucchelli, with graphics by David Mazzucchelli, Paul Auster's groundbreaking, Edgar Award-nominated masterwork has been astonishingly transformed into a new visual language."[This graphic novel] is, surprisingly, not just a worthy supplement to the novel, but a work of art that fully justifies its existence on its own terms."--The Guardian