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  • av Paul Cooke
    190,-

    Many millions of years after the planet earth was totally destroyed by human beings a new species has evolved underground and now dominates the planet. This is the story of human evolution and one scenario of how the future could be and how the new species of creatures would adapt and dominate all around them. But are they alone on the planet and are they really in control? This is the first part in the series with more to come from the author Paul Cooke former founder and drummer from the 80's group Sade. .

  • - Curated by Paul Cooke
    av Paul Cooke
    186,-

    My name is Paul Cooke I was given this name by Epic Records in 1984 when they released the first Sade 12" Single and it said on drums Paul Cooke. My actual name is Paul Cook but possibly the record company didn't want everyone to think that Paul Cook from the Sex Pistols played the drums? I co-founded the group Sade in 1982 with fellow Hull musicians Stuart Mathewman and Paul Denman after we had all moved down to London to seek our fame and fortune. Subsequently we met Helen Adu a backing singer at the time and amateur fashion designer well actually fashion model then. She was singing in London band's Pride that we joined and out of that band's demise emerged Sade as the hippest band in London at the time. With our model of a singer Helen she was finally offered a solo recording contract in 1983 by CBS records and eventually an OBE from the Queen for the bands achievements. I was the drummer and whilst I feel my role was important as a driver for Ms Adu taking her to the rehearsals and hairdressers to get her signature plait stitched on. In the scheme of things I was just the drummer you know the guy always last to leave the stage and first to arrive. However I had another emerging talent at the time in between coming up with the drums for Smooth Operator. I had bought an Olympus Trip camera and I was documenting everything around me. It was very odd for all concerned as whilst Helen Adu was used to fashion photography and we had the concept of the paparazzi. At the time I would take photos of everything and everyone and this was rather an odd preoccupation. It is this collection of photographs that forms the basis of this book and the more that I pour over the old negatives with a scanner the more I am taken aback by the photographs I shot. Posting these photo's in 2021 on social media to Sade fans I just got so many wow's and likes that I thought lets curate a dedicated book just of these Sade photo's as they are so unique. Remember this in context nobody went around taking photos of people in social spaces in those days very rarely and if they did they had masses of great gear and called themselves professional. As I am somewhere on the autism spectrum myself I think this would partly explain this oddity and penchant for taking photographs of people in everyday settings. So I hope you enjoy this collection and my annotations that offer some context of the setting and those involved at the time.

  • av Paul Cooke
    116,-

    Introduction: Paul Cooke formed one of the biggest bands in the 1980's Sade, and continued to work in the music industry throughout the 80's and the 90's in various incarnations from experimental music maker to digital record label owner and music publisher. As well as an elected Director of PAMRA Ltd in London, England at around the same time period that he wrote these articles. In 1997 as a part of his Multimedia Degree studied in England he wrote for the online music magazine, Music Dish based in NYC, USA. The articles featured in this work are taken from those articles published by TagItMedia Inc, between 1999 and 2003. Paul's dissertation 'New Media in Cyberspace' as presented to Lincoln University in 2000 can also be found published online at Music Dish as well as currently available online via Amazon in paperback and ebook format. If you want further reading on the subject of digital media, the music industry and the evolution of a music distribution model that changed the face of the music industry forever then please visit the Amazon website for further details. .

  • av Paul Cooke
    250,-

  • av Paul Cooke
    200,-

  • - Dealing with the Stasi
    av Paul Cooke
    686,-

    Before the fall of the Berlin Wall many East German writers were praised in the Western world as dissident voices of truth, bravely struggling with the draconian constraints of living under the GDR's communist regime.

  • - From Colonization to Nostalgia
    av Paul Cooke
    546 - 1 976,-

    When the Berlin Wall came down and the two Germanies were reunited, culture was held up to be one of the keys to national unity. Ironically, however, this work argues that it is the realm of culture that, at times, has clearly demonstrated the divisions between East and West.

  • av Paul Cooke
    330,-

    Contemporary German cinema is aimed at students of European and world cinema. It is wide-ranging, articulate and geared toward cinema and film studies. -- .

  • - Dealing with the Stasi
    av Paul Cooke & Andrew Plowman
    796,-

    Before the fall of the Berlin Wall many East German writers were praised in the Western world as dissident voices of truth, bravely struggling with the draconian constraints of living under the GDR's communist regime.

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