Reinterprets key phases and figures in 20th-century art, focusing on the way artists and critics negotiate philosophically significant ideas. The text aims to illuminate a language of 20th century art that cuts across boundaries set out by such conventional notions as avant-garde and postmodernism.
Formulating an approach to philosophy which, instead of simply rejecting postmodern thought, tries to assimilate some of its main features, Paul Crowther identifies conceptual links between value, knowledge, personal identity and civilization understood as a process of cumulative advance.
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