This book stages an encounter between romanticism in post-war and contemporary cinema and trends in historical materialism associated with revolutionary romantic historiography.
Presents an analysis of the changing landscape of English class and culture. This book explores a range of film production - from thrillers like "Lock", "Stock Two Smoking Barrels" to the period cinema of "Elizabeth", from classics like "Performance" and "Trainspotting" to the mainstream romantic comedy of "Notting Hill" and "Bridget Jones".
Prenumerera på vårt nyhetsbrev för att få fantastiska erbjudanden och inspiration för din nästa läsning.
Genom att registrera dig accepterar du vår personuppgiftspolicy.
