Böcker av Paul Guyer

This book tells the story of idealism in modern philosophy, from the seventeenth century to the turn of the twenty-first. Guyer and Horstmann discuss many philosophers who have played a role in the development of idealism, including Descartes, Hobbes, Spinoza, Leibniz, Locke, Berkeley, Hume, Kant, Hegel, Schopenhauer, Nietzsche, and Wittgenstein.

This Element surveys the place of the Critique of Pure Reason in Kant's overall philosophical project and describes and analyzes the main arguments of the work. It also surveys the developments in Kant's thought that led to the first critique, and provides an account of the genesis of the book during the 'silent decade' of its composition in the 1770s based on Kant's handwritten notes from the period.

Kant claims that the fundamental principle of morality is given by pure reason itself. Many have interpreted Kant to derive this principle from a conception of pure practical reason (as opposed to merely prudential reasoning about the most effective means to empirically given ends). But Kant maintained that there is only one faculty of reason, although with both theoretical and practical applications. This Element shows how Kant attempted to derive the fundamental principle and goal of morality from the general principles of reason as such, defined by the principles of non-contradiction and sufficient reason and the ideal of systematicity.

This volume of essays by one of the world's foremost Kant scholars explores the efforts of the great Enlightenment philosopher Immanuel Kant (1724-1804) to construct a moral philosophy based on the premise that the most fundamental value for human beings is their freedom to set their own ends.

A readers guide to Kant, the philosopher who best typifies the thought and ideals of the Enlightenment. He was influenced by the modern physics of Newton, the rationalist perfectionism of Leibniz and Wolff, the critical empiricism of Locke and Hume, and Rousseau's celebration of liberty and individualism.

Kant's Groundwork of the Metaphysics of Morals is one of the most important works in modern moral philosophy. This collection of essays, the first of its kind in nearly thirty years, introduces the reader to some of the most important studies of the book from the past two decades, arranged in the form of a collective commentary.

This collection of essays by one of the pre-eminent Kant scholars of our time transforms our understanding of both Kant's aesthetics and his ethics. Guyer shows that at the very core of Kant's aesthetic theory, disinterestedness of taste becomes an experience of freedom and thus an essential accompaniment to morality itself.

In these twelve essays, Paul Guyer radically revises the traditional interpretation of Kant's moral and political philosophy and shows how Kant's coherent liberalism can guide us in current debates.

Presenting a collection of Immanuel Kant's essays, this volume's governing theme is the role of systematicity in Kant's theoretical and practical philosophy. Aimed at those working on the history of philosophy, it explores the various aspects of Kant's conception of the system of nature, the system of freedom, and the system of nature and freedom.

An account of the development and structure of central arguments of Kant's "Critique of Pure Reason" in the defence of the objective validity of such categories as substance, causation and independent existence. The author aims to place his critique in an historical context.

Values of Beauty discusses major ideas and figures in the history of aesthetics from the beginning of the eighteenth century to the end of the twentieth century. The core of the book features Paul Guyer's essays on the epochal contribution of Immauel Kant, and sets Kant's work in the context of predecessors, contemporaries, and successors including David Hume, Alexander Gerard, Archibald Alison, Arthur Schopenhauer, and John Stuart Mill All of the essays emphasize the complexity rather than isolation of our aesthetic experience of both nature and art; and the interconnection of aesthetic values such as beauty and sublimity on the one hand, and prudential and moral values on the other. Guyer emphasizes that the idea of the freedom of the imagination as the key to both artistic creation and aesthetic experience has been a common thread throughout the modern history of aesthetics, although the freedom of the imagination has been understood and connected to other forms of freedom in a variety of ways.

Immanuel Kant famously said that he was awoken from his "e;dogmatic slumbers,"e; and led to question the possibility of metaphysics, by David Hume's doubts about causation. Because of this, many philosophers have viewed Hume's influence on Kant as limited to metaphysics. More recently, some philosophers have questioned whether even Kant's metaphysics was really motivated by Hume. In Knowledge, Reason, and Taste, renowned Kant scholar Paul Guyer challenges both of these views. He argues that Kant's entire philosophy--including his moral philosophy, aesthetics, and teleology, as well as his metaphysics--can fruitfully be read as an engagement with Hume. In this book, the first to describe and assess Hume's influence throughout Kant's philosophy, Guyer shows where Kant agrees or disagrees with Hume, and where Kant does or doesn't appear to resolve Hume's doubts. In doing so, Guyer examines the progress both Kant and Hume made on enduring questions about causes, objects, selves, taste, moral principles and motivations, and purpose and design in nature. Finally, Guyer looks at questions Kant and Hume left open to their successors.