Focusing on Glasgow's earliest surviving music hall, the Britannia, later the Panopticon, this book explores the role of one of the city's most iconic cultural venues within the cosmopolitan entertainment market that emerged in British cities in the nineteenth century.
Music hall was the most dynamic and successful popular theatre genre of the 19th century. This text explores all aspects of the Scottish music hall industry, from the lives and professional culture of performers and impresarios to the place of music hall in Scottish life and national identity.
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