Böcker av Pere Soto Tejedor

As part of my jazz series, I write phrasing books about the chords of most common types. Here's one about the minor major7 chord. These phrases came to me during improvisation sessions. Despite the fact that they are purely spontaneous, they cannot be treated as theoretical examples derived from scales or any other musical pattern material. Nevertheless, you should try to analyze them in order to gain a deeper understanding of the process that led to their development.In addition to being able to be used in any style, they can also be tested in a wide range of octaves as well as transported to another key, or any harmonic field to explore new sounds. In the book, dynamics and accents are not detailed on purpose so the player is given freedom to experiment. A mp3 folder is included for download by email.

As part of my jazz series, I write phrasing books about the chords of most common types. Here's one about the m7b5 chord. These phrases came to me during improvisation sessions. Despite the fact that they are purely spontaneous, they cannot be treated as theoretical examples derived from scales or any other musical pattern material. Nevertheless, you should try to analyze them in order to gain a deeper understanding of the process that led to their development.In addition to being able to be used in any style, they can also be tested in a wide range of octaves as well as transported to another key, or any harmonic field to explore new sounds. In the book, dynamics and accents are not detailed on purpose so the player is given freedom to experiment. A mp3 folder is included for download by email.

As part of my jazz series, I write phrasing books about the chords of most common types. Here's one about the maj7 chord. These phrases came to me during improvisation sessions. Despite the fact that they are purely spontaneous, they cannot be treated as theoretical examples derived from scales or any other musical pattern material. Nevertheless, you should try to analyze them in order to gain a deeper understanding of the process that led to their development.In addition to being able to be used in any style, they can also be tested in a wide range of octaves as well as transported to another key, or any harmonic field to explore new sounds. In the book, dynamics and accents are not detailed on purpose so the player is given freedom to experiment. A mp3 folder is included for download by email.

This book is one of my jazz series books about phrasing on the most comun types of chords. Here is about the dominant V7 chord. I wrote those phrases coming up to me through playing in sessions of improvisation. They are purely spontaneous and by that reason they cannot treat like if they were theoretical examples derived from scales, or any other material from musical patterns. Nevertheless, It's a good idea try to analyze them to understand the process by which they arose. They can be use it in any style and they can be tested in diverse octaves or even transported them to other keys or also any kind of harmonic field to explorer news sounds.The question about dynamics and accents which they are not detailed is on purpose so the idea is give freedom to the player for experimentation.The book includes a mp3 folder able to download through a dropbox link or sending me an email. (check 2° page inside the book)

Analysis of jazz structures Blues, their forms and harmony changes through well known blues songs and Pere Soto originals.

This is a collection of 86 gypsy jazz tunes by Pere Soto, from 1989 to 2014.

This book is a collection of all Waltz songs composed by Pere Soto untill 2018.

There is nothing more than a guide to learning how to improvise over altered dominant scales using a different approach to triads and linear patterns.

All of Pere Soto's blues songs up until 2018 are collected in this book.

This book is one of my jazz series books about phrasing on the most comun types of chords. Here is about the 7sus4 chord. I wrote those phrases coming up to me through playing in sessions of improvisation. They are purely spontaneous and by that reason they cannot treat like if they were theoretical examples derived from scales, or any other material from musical patterns. Nevertheless, It's a good idea try to analyze them to understand the process by which they arose. They can be use it in any style and they can be tested in diverse octaves or even transported them to other keys or also any kind of harmonic field to explorer news sounds.The question about dynamics and accents which they are not detailed is on purpose so the idea is give freedom to the player for experimentation.The book includes a mp3 folder able to download through a dropbox link or sending me an email. (check 2° page inside the book)

This book is one of my jazz series books about phrasing on the Jazz sequence II-V-I . These phrases came to me during improvisation sessions. Despite the fact that they are purely spontaneous, they cannot be treated as theoretical examples derived from scales or any other musical pattern material. Nevertheless, you should try to analyze them in order to gain a deeper understanding of the process that led to their development.In addition to being able to be used in any style, they can also be tested in a wide range of octaves as well as transported to another key, or any harmonic field to explore new sounds. In the book, dynamics and accents are not detailed on purpose so the player is given freedom to experiment. A mp3 folder is included for download by email.

This is the extension book of Pere Soto Gypsy Jazz Fakebook. Including 71 new tunes.

Pere Soto's Ballads till 2018 are collected in this book.

A book-scores of 4 classical guitar compositions. Tonal style, between a bit of barroco, romantic and own personal taste.

Thit book is a collection of latin songs and compositions of composer Pere Soto till 2018.

This book is the volum n° 5 of Pere Soto Sheet Music. Contains 7 guitar compositions of a high level interpretation; AMKRA MOON, Butifafum, Djangotron, Los Extraindependientes, Muón y cuenta nueva, My-can-long-on, Superflux.

A collection of 4 contemporary sonatas for guitar of Pere Soto

This book is about expanding fingering through techniques and exercises that gonna helps you to strength your fingers, wisp, and arms and the most important; your brain!

3 very hard level compositions for classical guitar, inspired on some composers from XX century like Luciano Berio, Bela Bartok, Elliot Carter, Robert Gerhard, George Crumb, etc. This three compositions; Guitaratrox, Guitarfox, Guitarlynx, has names of two very smart animals still alive and one extincted Allosaurus atrox. So, those guitar works require skill, force, imagination, dexterity, ability, cleverness, courage, touchfulness, and problably even more...

As part of my jazz series, I write phrasing books about the chords of most common types. Here's one about the m7 chord. These phrases came to me during improvisation sessions. Despite the fact that they are purely spontaneous, they cannot be treated as theoretical examples derived from scales or any other musical pattern material. Nevertheless, you should try to analyze them in order to gain a deeper understanding of the process that led to their development.In addition to being able to be used in any style, they can also be tested in a wide range of octaves as well as transported to another key, or any harmonic field to explore new sounds. In the book, dynamics and accents are not detailed on purpose so the player is given freedom to experiment. A mp3 folder is included for download by email.

ES EL PRIMER VOLUMEN DE 14 VOLUMENES SOBRE EL MUNDO DE LOS ARPEGIOS EN LA GUITARRA. ESTOS SON LOS VOLUMENES; UNO DE TEORIA, UN SEGUNDO DE COLECCIÓN DE 300 ACORDES, Y 12 MAS UNO PARA CADA TONALIDAD DE LOS ARPEGIOS CON POSICIONES EN EL MÁSTIL. UN TOTAL DE 3600 ARPEGIOS Y MAS DE 108.000 POSICIONES-DIGITACIONES.