Philip Stewart demonstrates that in each of three novels - Marivaux's La Vie de Marianne, Diderot's La Religieuse, and Rousseau's Julie ou la Nouvelle Heloise - the characters' sincerity disguises how incompletely the meaning of their own experience is resolved.
A critical investigation of the role engraving played in 18th-century French literature, which explores the objectification of women. The author describes how "indecent" engravings that purported to test the limits of morality often merely reinforced prevailing female stereotypes.
A novel in which Rousseau reconceptualized the relationship of the individual to the collective and articulated a new moral paradigm
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