French-Cuban author Eduardo Manet's work is acclaimed internationally, though mainly overlooked by French and Latin American critics due to his odd position as a Latin American writing in French. This study includes poetry, plays, novels and films written and directed by this bilingual writer.
Translation and film adaptation of theatre have received little study. In filling that gap, this book draws on the experiences of theatrical translators and on movie versions of plays from various countries. It also offers insights into such concerns as the translation of bilingual plays and the choice between subtitling and dubbing of film.
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