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  • av Pierre Souvestre
    546 - 676,-

  • av Pierre Souvestre
    340 - 476,-

  • - Translated From The Original French By Cranstoun Metcalfe With An Introduction To The Dover Edition By Robin Walz
    av Pierre Souvestre & Marcel Allain
    296,-

    This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

  • av Pierre Souvestre
    386,-

  • av Pierre Souvestre
    386,-

  • av Pierre Souvestre
    276,-

  • - Being the Seventh of the Series of Fantomas Detective Tales
    av Pierre Souvestre & Marcel Allain
    276,-

  • - Being the Sixth of the Series of Fantomas Detective Tales
    av Pierre Souvestre & Marcel Allain
    306,-

  • av Pierre Souvestre & Marcel Allain
    486,-

  • av Pierre Souvestre
    590,-

    Histoire de l'automobile / par Pierre SouvestreDate de l'édition originale: 1907Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF.HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande.Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables.Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique.Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu.Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

  • - Being the Fifth of the Series of Fantomas Detective Tales
    av Pierre Souvestre & Marcel Allain
    256,-

  • - Being the Fourth of the Series of Fantomas Detective Tales
    av Pierre Souvestre & Marcel Allain
    296,-

  • - Being the Third of the Series of Fantomas Detective Tales
    av Pierre Souvestre & Marcel Allain
    290,-

    The Baroness de Vibray has been poisoned. The painter Jacques Dollon is arrested, but he is discovered dead in his prison cell, an apparent suicide, before he can be questioned. The journalist Fandor attempts to unravel the mystery, suspecting none other than the Genius of Evil, Fantômas. Through passageways and sewers, over rooftops, he follows clues and runs into trouble with gangsters. Believing Fantômas is planning to rob the Barbey-Nanteuil Bank a trap is set for the master criminal-but will he escape again?"From the imaginative standpoint Fantômas is one of the richest works that exist."-Guillaume Apollinaire"Absurd and magnificent lyricism."-Jean Cocteau

  • - Being the Second of the Series of Fantomas Detective Tales
    av Pierre Souvestre & Marcel Allain
    250,-

    When the home of Dr. Chaleck is robbed and the corpse of a woman found crushed to death, Inspector Juve pursues the gang leader Loupart in connection with the gruesome crime. He and the journalist Jerome Fandor relentlessly pursue suspects, narrow escaping high-speed train wrecks, blazing infernos, and the diabolical snares of the Genius of Crime, Fantomas."From the imaginative standpoint Fantômas is one of the richest works that exist."-Guillaume Apollinaire"Absurd and magnificent lyricism."-Jean Cocteau

  • - Being the First of the Series of Fantomas Detective Tales
    av Pierre Souvestre & Marcel Allain
    290,-

  • av Pierre Souvestre
    300,-

  • av Pierre Souvestre & Allain Marcel
    246 - 330,-

  • - Being a Further Account of the Lures and Devices of Fantomas
    av Pierre Souvestre & Marcel Allain
    260,-

    One of the most popular characters in the history of French crime fiction, Fantômas was created in 1911 and appeared in a total of 32 volumes written by the two collaborators, then a subsequent 11 volumes written by Allain alone after Souvestre's death. The character was also the basis of various film, television, and comic book adaptations. His importance in the history of crime fiction cannot be overestimated, as he represents a transition from Gothic novel villains of the 1800s, to modern-day serial killers."In the mode reminiscent of Sherlock Holmes and his ineradicable nemesis, the virtually immortal Professor Moriarty, Inspector Juve dedicates himself to the relentless pursuit of that evil genius Fantomas. He is, as they say in petrified Paris, "Nothing. . . Everything. . . Nobody. . . Somebody." And what does he do? He "spreads terror," diabolically, craftily beyond all imagining: slashes throats of kindly old ladies; stuffs strangled British socialites into trunks; boldly robs Russian princesses in their hotel rooms; pushes witnesses off speeding trains to their deaths. Can Juve prevail against that hellish power?" --Publishers Weekly

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