Applying Merleau-Ponty's figured philosophy to discussions the work of Paul Klee and Cy Twombly, Kaushik offers an original view of artwork. As the first sustained treatment into the relationship between art and language, this is an important contribution to Meleau-Ponty's philosophy and scholars of aesthetics.
Examines how for Merleau-Ponty the work of art opens up, without conceptualizing, the event of being. This title treats Merleau-Ponty's renderings of the artwork - specifically in his later writings during the period ranging from 1952-1961 - as a path into the being that precedes phenomenology.
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