'What matters is to live everything. Live the questions for now.'A hugely influential collection for writers and artists of all kinds, Rilke's profound and lyrical letters to a young friend advise on writing, love, sex, suffering and the nature of advice itself.One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
From the writer of the classic Letters to a Young Poet, reflections on grief and loss, collected and published here in one volume for the first time.“A great poet’s reflections on our greatest mystery.”—Billy Collins“A treasure . . . The solace Rilke offers is uncommon, uplifting and necessary.”––The Guardian Gleaned from Rainer Maria Rilke’s voluminous, never-before-translated letters to bereaved friends and acquaintances, The Dark Interval is a profound vision of the mourning process and a meditation on death’s place in our lives. Following the format of Letters to a Young Poet, this book arranges Rilke’s letters into an uninterrupted sequence, showcasing the full range of the great author’s thoughts on death and dying, as well as his sensitive and moving expressions of consolation and condolence.Presented with care and authority by master translator Ulrich Baer, The Dark Interval is a literary treasure, an indispensable resource for anyone searching for solace, comfort, and meaning in a time of grief.Praise for The Dark Interval “Even though each of these letters of condolence is personalized with intimate detail, together they hammer home Rilke’s remarkable truth about the death of another: that the pain of it can force us into a ‘deeper . . . level of life’ and render us more ‘vibrant.’ Here we have a great poet’s reflections on our greatest mystery.”—Billy Collins “As we live our lives, it is possible to feel not sadness or melancholy but a rush of power as the life of others passes into us. This rhapsodic volume teaches us that death is not a negation but a deepening experience in the onslaught of existence. What a wise and victorious book!”—Henri Cole
Though as yet little known in English-speaking countries, Rainer Maria Rilke (1875-1926) is the finest German poet of this century and one of the greatest lyrical writers in the history of Western literature. Also included are Rilke's prose LETTERS TO A YOUNG POET in which he counsels a younger colleague and expounds his own literary ideal.
These ten letters by Rainer Maria Rilke speak directly to the young, offering unguarded thoughts on such diverse subjects as creativity, solitude, self-reliance, living with uncertainty, the shallowness of irony, the uselessness of criticism, career choices, sex, love, God, and art (which is only another way of living, Rilke writes).
Rainer Maria Rilke (1875-1926) is one of Germany's major Modernist poets, notable for the lyric intensity of his work. He considered the Duino Elegies - a cycle of ten poems written in inspirational bursts between 1912 and 1922 - to be his major achievement. The restless movement of these poems reflects his lifelong struggle to reconcile the dichotomies of joy and suffering, life and death, masculine and feminine, that ruled his life. They remain powerful testaments to Rilke's struggles with the mysteries of existence and the endlessly opening miracle of the everyday. Alison Croggon's radical new translation captures the energies of the German poems with an urgent, acute clarity. As she says in her introductory essay: 'The turbulent currents that make the Elegies so enthralling are generated by the dynamic contradictions of a mind acutely conscious of its own movements.... The poems are not "about" life: rather, they are a startling mimesis of its instability and transience.' 'Alison Croggon's transformative and impassioned translation of Rilke's Duino Elegies attempt the extraordinary... Signature, regret, pain, trauma, wonder, euphoria, wonder, rapture and an immersion in the senses are all contained in the crispness and experiential sensibility that guides Croggon's relationship with the original poems. Croggon lives in the wild beauty of these elegies and makes them glow in translation... This is an incendiary work.' - John KinsellaPrinted en face with the German text and with an afterword and notes by the translator. Preface by John Kinsella.Shortlisted for the 2023 NSW Premier's Literary Awards Translation Prize'Alison Croggon's poems offer something intense, difficult and fragile, but simultaneously intimate and hugely rewarding in the reading.' - Cordite Poetry Review'Alison Croggon is one of the most powerful lyric poets writing today.' - Australian Book Review
Composed in 1899 when Rilke was only twenty-three, the interconnected tales of Stories of God were inspired by a trip to Russia the young poet had made the year previously. It is said that the vastness of the Russian landscape and the profound spirituality he perceived in the simple people he met led him to an experience of finding God in all things, and to the conviction that God seeks to be known by us as passionately as we might seek to know God. All the great themes of Rilke''s later powerful and complex poetry can be found in the Stories of God , yet their charming, folktale-like quality has made them among the most accessible of Rilke''s works, beloved by all ages.
A landmark in the development of the twentieth-century novel, the Notebooks is the story of a young Danish aristocrat , told in a series of notes that explore Malte's life in Paris, childhood memories and reflections in highly crafted poetic prose. A radical departure from literary realism, it is an archetypal confrontation with the modern.
Rainer Maria Rilke (1875-1926) is one of the leading poets of European Modernism, whose poetry explores themes of death, love, and loss. This bilingual edition fully reflects Rilke's poetic development and includes the full text of the Duino Elegies and the Sonnets to Orpheus in accurate and sensitive new translations.
One of the literary masterpieces of the century, this translation is now presented with facing-page German.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An intimate glimpse into the life and letters of Rainer Maria Rilke, one of the most important poets of the twentieth century. In July 1921, displaced European poet Rainer Maria Rilke sequestered himself in the chateau of Muzot, a thirteenth-century medieval tower perched in the vineyards above the town of Sierre in the Canton Valais, Switzerland. In this sun-flooded landscape of the Rhone Valley, he found beguiling echoes of Spain and his beloved Provence. Here, the Duino Elegies were famously completed and the Sonnets to Orpheus followed. During this time, Rilke's correspondence also bloomed, and Letters around a Garden collects some of those letters together into English for the first time. One intriguing exchange from 1924 to 1926 was with a young aristocratic Swiss woman Antoinette de Bonstetten, a passionate horticulturist who had been recommended as a potential advisor for the redesign and upkeep of the Muzot rose garden. In twenty-two precious letters originally written in French, Rilke relishes the prospect of their elusive meeting, keenly discusses the plans for his garden, and wittily laments the trials of his plants. Beyond the encomium for Paul Valéry and poignant memory of place are passages of exquisite writing, in which Rilke evokes with trademark sensitivity the delicate relationship between the changing seasons and the natural world of his adopted region. We also witness the loving relationship evolve between these sometime-fugitive correspondents and how questions of solitariness and companionship impinge on one who faces unaccustomed challenges as his health tragically declines.
Long hailed as a masterwork of modern German literature, The Book of Hours (1905) marks the origin of Rainer Maria Rilke's distinctive voice and vision-where clarity of diction meets unexpected imagery, where first-person poetry discovers its full lyric possibility. In these audacious poems, a devout but intimately candid speaker addresses an ultimately unknowable deity. "What will you do, God, when I die?" Rilke's speaker asks, passing through love, fear, guilt, anger, bewilderment, loneliness, tenderness, and exaltation in his search for meaning.In this dual-language edition, Edward Snow, "the most trustworthy and exhilarating of Rilke's contemporary translators" (Michael Dirda, Washington Post), makes Rilke's achievement accessible as never before in English. Snow combines striking fidelity to the German text with an uncanny ability to convey not just its tones and cadences but the captivating psychological presence that animates Rilke's best poems. Mystical and moving, The Book of Hours retains its power to astonish.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Letters To A Young Poet" by Rainer Maria Rilke is a prosaic work, but it refers directly to poetry. There are ten letters written to a young man about to enter the German military. In the very beginning of the 1903, Rilke received a letter from a twenty-year old lieutenant of Austro-Hungarian army Franz Kappus. Verses were enclosed to the letter: the lieutenant turned out to be a poet. Rilke answered. Rilke wrote Franz Kappus ten letters; the last of them is dated by December 1908. After Rilke's death, the letters were published in a separate book entitled "Letters To A Young Poet". Of all Rilke's extensive correspondence, these letters won the greatest popularity. It is explained by their content: there is nothing personal or private in them; Rilke wrote about the poetry, nature of poetic works, irony, loneliness, love etc. His philosophy-aesthetic views of that time are well reflected in these letters.
"On the centennial of the first appearance (1923) of Rilke's Sonnets to Orpheus, award-winning translator Mark Burrows reveals their depth and meaning with a brilliant new introduction and translation. This new translation captures the lyric beauty of Rilke's poems, honoring their syntactic peculiarities and grammatical complexities as few translators have dared to do. Burrows' versions maintain the essential strangeness of language and abruptness of metaphor by which the sonnets attain their distinctive character in German. Burrows' approach replicates what one reviewer describes as the poems' "dazzling obscurity," refusing to resolve the deliberate difficulties Rilke's formulations present. The effect invites readers to linger with these sonnets, allowing themselves to be shaped in their encounter with them"--
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