This work discusses why so many western theatre workers have come to India and what they were looking for. Locating Indian theatre as a site of reappraisal and renewal both in India and in the world of performance, it presents a picture of traditional and contemporary theatre there.
From a basis in recorded experience it rethinks the nature of spirit and relates spirit to the human mind, and it questions the unprovable assumptions underlying contemporary objectivist and scientific approaches to intelligence, language and knowledge.
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