This ain't no Dreamgirls, Rhodessa Jones warns participants in the Medea Project, the theatre program for incarcerated women that she founded. This work chronicles the collaborative process of transforming incarcerated women's stories into productions that include dance and music, for example.
Blueprints for a Black Federal Theatre, 1935-1939 focuses on the struggles of various groups of black and white critics, audiences, and artists to define what constituted authentic, properly representative African American art in the theatre of the 1930s.
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