Böcker av Richard Allen

Skinheads were dead, man. Phased out. Home had never appealed. All his life he had dreamed about a plush flat somewhere in the West End of London. So now he would make the leap from poverty street into the affluent society. In one gigantic jump. Fresh out of stir after kicking a police sergeant's head in, former skinhead Joe Hawkins is heading for the big time - a job in a firm of stockbrokers, a swanky flat and (hopefully) plenty of money. A whole new style is called for - so Joe becomes a Suedehead. The hair is a few millimetres longer, the uniform a velvet-collared crombie coat, bowler hat and neatly-furled umbrella - with razor sharp tip. For while Joe might be playing the establishment pet, he remains the unrepentently vicious, cunning hooligan from Skinhead, intent on pulling women, stealing and putting the boot in. It's not long before he finds some other Suedes willing to commit mayhem under cover of respectability... but can Joe and respectability ever really get along? Suedehead is the second of Richard Allen's era-defining cult novels featuring anti-hero Joe Hawkins. First published in 1971, this new edition features an introduction by Andrew Stevens. "e;I did happen to read the book when it came out and I was quite interested in the whole Richard Allen cult... suedeheads and skinheads and smoothies were very much part of daily life. There was a tremendous air of intensity... something interesting grabbed me about the whole thing."e; Morrissey "e;(Richard Allen's) work shouldn't require a theoretical summing up, once enough of those to whom it appeals understand its attraction we will have superceded this society."e; Stewart Home

In a world where shadows dance with emotions, where pain and despair intertwine, comes a collection of raw and evocative verses. Step into a realm where words bleed onto the pages, revealing the unfiltered depths of human experience. A complex Journey through the labyrinth of life's trials - the battles with addiction, the haunting specter of lost love, the agony of saying goodbye. You will feel the weight of emotions as they collide and intertwine, forming a tapestry of darkness and light."Staring at My Own Reflection" takes you to the edge, where life and death, hope and despair converge. Are you ready to dive into the depths of the human soul? Are you ready to confront the shadows that we often dare not face?"Staring at My Own Reflection" by Richard Allen - A haunting journey through the echoes of life.

"10 Changes to Financial Freedom" is a book that provides readers with practical and actionable steps they can take to improve their financial situation and achieve financial independence. The book covers a variety of topics, including budgeting, saving, investing, and managing debt, and offers strategies for making positive changes in these areas. Whether you're just starting out on your financial journey or looking to take your finances to the next level, this book will provide you with the tools and knowledge you need to achieve your goals.

Born and raised in Detroit, Michigan, Richard Allen could have just been another statistic. But faith in Yahweh (God), coupled with hope and perseverance has allowed him to thrive amid arduous circumstances.In a cautionary retelling of his personal experiences penned from a prison bunk, Allen shares insight into his path through life with the hope of helping the urban, at-risk population to both navigate (and stay on) the path to success by identifying the potential pitfalls that may hinder progress. While sharing lessons learned and wisdom intended to guide others to adequately prepare for the future, Allen encourages those at risk to be proactive while facing challenges, to find the hidden blessings, transform their mindset, and pay attention to the little details and subtle compromises that are not conducive to forward progression in life.Rich in Purpose, Poor in Pride is an inspirational handbook filled with personal stories and practical wisdom shared to guide and keep those at risk on the narrow path to success.

The driving force of this book is the author's lifelong fascination with human nature. Forty years in the law brought him into contact with a broader cross-section of society than most people would normally experience, or even wish to, and it is their strengths and weaknesses, values and doubts that shaped these poems. The majority of these poems were written well into the author's retirement. As we know, the ageing process involves a shift in values, priorities and challenges. He faces these head on: dementia, faith, physical decline, even falling in love. Nothing is spared. A word of caution. Many of the poems are simple and straightforward. And why not? Poetry is for everyone. Some appear simple and straightforward but have a twist or secondary current below the surface. Look out for them. In others the author sets out his views and throws down a gauntlet. In doing so he commits the cardinal sin of the modern age: he asks us to think.

The Western District of Victoria. Even the name conjures up establishment families, history, and grandeur. This area, extending from the Grampians region in the south-west of the state to Geelong in the east, and stretching as far north as Ararat, has some of the most productive land in Australia and some of its most renowned homesteads and gardens. In this revised edition of Richard Allen and Kimbal Baker's fascinating and beautiful book, we are taken into the private world of twenty of these most notable properties. Through their early histories we follow their fortunes and see the splendour of these great homes. It is a tribute to the past, when fortunes built elaborate mansions and grand gardens, and to the present owners who have so lovingly preserved their properties' architectural heritage. This revised edition brings the history of the estates up to date, including five new chapters and new photography scattered throughout.

Wonderful photographs documenting the local rail scene from the late 1980s to the early twenty-first century, featuring a range of trains and locomotives.

Down below, like some gigantic monster from Earth's dark past, a moving van waited in the mist. Judging the distance as best he could, Joe leaped into space . . .Get Joe Hawkins! Vicious former skinhead Joe Hawkins has done a runner from prison. On the lam, he cuts a swathe through England's heartland, sex and violence very much on his mind. Newly equipped with a shooter, Joe pals up with armed robbers, evading the coppers by a whisker. But Joe's now a marked man a powerful criminal is gunning for him, with no plans to quit until he's found his target. Even Joe's never been in this tight a spot before . . .Skinhead Escapes (1972) was the third book in Richard Allen's bestselling Skinhead series, one of the most potent artefacts of British popular culture ever committed to print.';I did happen to read Skinhead when it came out and I was quite interested in the whole Richard Allen cult . . . suedeheads and skinheads and smoothies were very much part of daily life. There was a tremendous air of intensity . . . something interesting grabbed me about the whole thing.' Morrissey';(Richard Allen's) work shouldnt require a theoretical summing up, once enough of those to whom it appeals understand its attraction we will have superceded this society.' Stewart Home

Sixteen-year-old Joe Hawkins is the anti-hero's anti-hero. His life is ruled by clothes, beer, football and above all violence - violence against hippies, authority, racial minorities and anyone else unfortunate enough to get in his way. Joe is a London skinhead - a member of a uniquely British subculture which arose rapidly in the late 1960's. While other skins were driven mainly by music, fashion and working-class pride, Joe and his mob use their formidable street style as a badge of aggressive rage, even while Joe dreams of making a better life for himself. Lacerating in its depiction of violence and sex, often shocking by today's standards, Skinhead is also a provocative cross-section of urban British society. It doesn't spare the hypocrisy, corruption or excessive permissiveness which, the author believed, allowed the extremist wing of skinhead culture to flourish. Skinhead, first published in 1970 and a huge cult bestseller, is now available for the first time in ebook form, with a new introduction by Andrew Stevens. Nearly fifty years on, it remains one of the most potent artefacts of British popular culture ever committed to print. "e;I did happen to read the book when it came out and I was quite interested in the whole Richard Allen cult... suedeheads and skinheads and smoothies were very much part of daily life. There was a tremendous air of intensity... something interesting grabbed me about the whole thing."e; Morrissey "e;(Richard Allen's) work shouldn't require a theoretical summing up, once enough of those to whom it appeals understand its attraction we will have superceded this society."e; Stewart Home

This fascinating and beautiful book, sequel to the bestselling Great Properties of Country Victoria, takes us into the private world of twelve notable properties. Through their early histories we follow their fortunes; extraordinary tales of hardship, risk and reward; and through the photographs see the splendour of great homes that have been lovingly and carefully maintained and restored.

More than just biography, however, The View from the Murney Tower is also an examination of progressive religion in late-Victorian Canada, a time in which Darwinism and other Biblical, social, and intellectual controversies were profoundly affecting the growth of a young nation.

Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.