Beginning with Tennyson's In Memoriam and continuing by way of Hopkins and Swinburne to the novels of Oscar Wilde and Thomas Hardy, Richard Dellamora draws on journals, letters, censored texts, and pornography to examine the cultural construction of masculinity in Victorian literature.
Late-20th-century critical work on the late-Victorian period has furnished a vocabulary for discussing gender and sexuality. Terms include homo/hetero and patriarchal/feminist. This text exploits that framework to show how Victorians imagined difference in ways that continue to challenge.
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