"This is the first comprehensive and interdisciplinary study of sympathy in the early modern period, providing an extensive and deeply researched examination of its development in Anglophone literature and culture"--
Examines Shakespeare's fascination with the art of narrative and the visuality of language. This book complicates our conception of Shakespeare as either a 'man of the theatre' or a 'literary dramatist', suggesting ways in which his works themselves debate the question of text versus performance.
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