Modern European cinema and love examines nine European directors working from the 1950s onwards whose films contain stories about and reflections on romantic love and marriage.
In formulating a notion of filmic reality, The Reality of Film offers a novel way of understanding our relationship to cinema. It argues that cinema need not be understood in terms of its capacities to refer to, reproduce or represent reality, but should be understood in terms of the kinds of realities it has the ability to create.
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