Masters of the Drum, comprising eight essays and two interviews, examines both celebrated and insufficiently explored Caribbean, African, and African-American lit/orature that asserts the interface between the scribal and the spoken/gestural in Black word art.
Fox offers a clear and important, if brief, consideration of the fiction of Baraka, Reed, and Delany. Readers will find this volume useful as a starting point for the investigation of recent Afro-American fiction and as an example of the application of poststructuralist criticism to Afro-American fiction.
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