Böcker av Robert Hass

A major collection of entirely new poems from the Pulitzer Prize and National Book Award-winning author of Time and Materials and The Apple Trees at OlemaA new volume of poetry from Robert Hass is always an event. In Summer Snow, his first collection of poems since 2010, Hass further affirms his position as one of our most highly regarded living poets. Hass's trademark careful attention to the natural world, his subtle humor, and the delicate but wide-ranging eye he casts on the human experience are fully on display in his masterful collection. Touching on subjects including the poignancy of loss, the serene and resonant beauty of nature, and the mutability of desire, Hass exhibits his virtuosic abilities, expansive intellect, and tremendous readability in one of his most ambitious and formally brilliant collections to date.

The Apple Trees at Olema includes work from Robert Hass's first five books?Field Guide, Praise, Human Wishes, Sun Under Wood, and Time and Materials?as well as a substantial gathering of new poems, including a suite of elegies, a series of poems in the form of notebook musings on the nature of storytelling, a suite of summer lyrics, and two experiments in pure narrative that meditate on personal relations in a violent world and read like small, luminous novellas. From the beginning, his poems have seemed entirely his own: a complex hybrid of the lyric line, with an unwavering fidelity to human and nonhuman nature, and formal variety and surprise, and a syntax capable of thinking through difficult things in ways that are both perfectly ordinary and really unusual. Over the years, he has added to these qualities a range and a formal restlessness that seem to come from a skeptical turn of mind, an acute sense of the artifice of the poem and of the complexity of the world of lived experience that a poem tries to apprehend.Hass's work is grounded in the beauty of the physical world. His familiar landscapes?San Francisco, the northern California coast, the Sierra high country?are vividly alive in his work. His themes include art, the natural world, desire, family life, the life between lovers, the violence of history, and the power and inherent limitations of language. He is a poet who is trying to say, as fully as he can, what it is like to be alive in his place and time. His style?formed in part by American modernism, in part by his long apprenticeship as a translator of the Japanese haiku masters and Czeslaw Milosz?combines intimacy of address, a quick intelligence, a virtuosic skill with long sentences, intense sensual vividness, and a light touch. It has made him immensely readable and his work widely admired.

"The editing is more than brilliant: It is nearly unimaginable how the Library of America team managed to do so much so well. . . . Every possible kind of poem is here in its best examples. No one has ever done a better anthology of modern American poetry, or even come close." - TalkThis second volume of the landmark two-volume Library of America anthology of twentieth-century poetry, organized chronologically by the poets' birthdates, takes the reader from E.E. Cummings (1894-1962) to May Swenson (1913-1989). In the wake of the modernist renaissance, American poets continued to experiment with new techniques and themes, while the impact of the Depression and World War II and the continuing political struggle of African Americans became part of the fabric of a literature in transition. New schools and definitions of poetry seemed often to divide the literary scene. This was the era of the Harlem Renaissance, the Objectivists, the Fugitives, the proletarian poets. It was also an era of vigorously individuated voices-knotty, defiant, sometimes eccentric.The range of tone and subject matter is immense: here are Melvin B. Tolson's swirlingly allusive Harlem portraits, Phyllis McGinley's elegant verse transcriptions of suburbia, May Swenson's playful meditations on the laws of physics. The diversity of formal approaches includes the extreme linguistic experiments of Eugene Jolas and Abraham Lincoln Gillespie, Rolfe Humphries's adaptation of traditional Welsh meter, the haiku of Richard Wright, the ballads of Helen Adam and Elder Olson, the epigrams of J.V. Cunningham. A selection of light verse is joined by lyrics from the era's greatest songwriters, including Robert Johnson, Woody Guthrie, and Ira Gershwin. Several important long poems are presented complete, including Hart Crane's The Bridge, Louis Zukofsky's Poem beginning "The" and Robert Penn Warren's Audubon: A Vision. Rounding out the volume are such infrequently anthologized figures as Vladimir Nabokov, James Agee, Tennessee Williams, and John Cage.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In the years between the beginning of the twentieth century and the end of World War II, American poetry was transformed, producing a body of work whose influence was felt throughout the world. Now for the first time the landmark two-volume Library of America anthology of twentieth-century poetry through the post-War years restores that era in all its astonishing beauty and explosive energy.This first volume of the set, organized chronologically by the poets' birthdates, takes the reader from Henry Adams (1838-1918) to Dorothy Parker (1893-1967), and in the process reveals the unfolding of a true poetic renaissance. Included are generous selections from some of the century's greatest poets: Edwin Arlington Robinson, Robert Frost, Wallace Stevens, William Carlos Williams, Marianne Moore, H.D., Ezra Pound, T. S. Eliot. Here they are seen as part of an age that proposed new and often contentious definitions of what American poetry could be and fresh perceptions of a society undergoing rapid and often tumultuous change.The multifarious aesthetic influences brought to bear-Chinese and Japanese poetry, the African-American sermon, the artistic revolutions of Cubism and Dada, the cadences of jazz, the brash urgencies of vernacular speech-resulted in a poetic culture of dynamic energy and startling contrasts.The poets of this era transformed not only style but traditional subject matter: there are poems here on a silent movie actress, a lynching, the tenements of New York, the trench warfare of World War I, the Russian Revolution, and the landscape of Mars. Here too are folk ballads on events like the assassination of McKinley and the sinking of the Titanic; popular and humorous verse by Don Marquis and Franklin P. Adams; the famous "Spectra" hoax; song lyrics by Ma Rainey, Joe Hill, and Irving Berlin; and poems by writers as unexpected as Djuna Barnes, Sherwood Anderson, John Reed, and H. P. Lovecraft. Included are some of the century's most important poems, presented in full: Pound's Hugh Selwyn Mauberley, Eliot's The Waste Land, Steven's Notes Toward a Supreme Fiction.LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Former Poet Laureate Robert Hass 1979's Praise, the writers second volume of poetry.

From the former U.S. Poet Laureate, Pulitzer Prize and National Book Award-winner, an illuminating dissection of poetic form, traditional and modern, for students, enthusiasts, and newcomers alikeIn addition to his magisterial poetry, Robert Hass is beloved for his incisive, meditative criticism.

Written by the poet whose work is grounded in the beauty of the physical world, in the smaller details of natural, human life.