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  • av Robert Hugh Benson
    290,-

    "Even to me, Protestant as I am, it did seem completely suitable that an event so stupendous could scarcely be approached by any other process than that of a sacred dramatic dance, with an accompaniment of rigid and minute Court etiquette. To leave the conduct of such a thing to the individual personality and the private taste of a simple clergyman in a surplice, would be nothing else than bathos of the worst description; human outlines must be obliterated by some overpowering uniform, personal tastes and methods of behaving must be rigidly supplanted by set movements and gestures. In fact, for such a drama as this we need not clericalism, but the most emphatic sacerdotalism. Originality in the sanctuary, as has been well observed, is the grossest vulgarity known to men."In this work of imaginative fiction, Catholic priest and writer Robert Hugh Benson "edits the notes" of a non-Catholic actor who is attempting to understand the belief and worship of Catholics. Only moderately successful in his career, the author of these "papers" finds himself quite alone in the world, his wife having died within a year of their marriage. His own health beginning to fail, he pays serious attention to the subject of religion for the first time. After a brief dalliance with the Anglican Church, he is drawn to the local Catholic church, where he attends various liturgies-a Requiem, a Low Mass, Benediction, and the ceremonies of Holy Week. He struggles with "a great deal of inchoate agnosticism" while writing about the powerful impressions these ceremonies make on him. Finally, the actor is received into the Church shortly before he dies. Benson, himself a convert from Anglicanism, creatively weaves surprising, poignant, and profound insights into the traditional beliefs and customs of Catholics by viewing them through the eyes of "a pariah"-a lonely outcast.Robert Hugh Benson (1871-1914), the son of the Archbishop of Canterbury, was educated at Eton and Trinity College. Drawn toward the High-Church tradition, Benson was ordained an Anglican priest by his father, but began to investigate the claims of the Catholic Church during a trip to the Middle East in 1896. He converted to Roman Catholicism in 1903 and was ordained to the Catholic priesthood the following year. Amid his various ecclesial duties, he was a well-known preacher and a prolific writer, and his works span many genres, including science and historical fiction, contemporary novels, children's books, apologetics, plays, poetry, and devotional material.

  • av Robert Hugh Benson
    290,-

    Christ desires to be our Friend. But how can we respond? Taking up themes from great mystical writers, Benson gives a prophetic corrective for those in the Church who mistake "Christ's gifts for Christ, religiosity for religion, and the joys possible on earth for the joys awaiting us in heaven." Benson steers the soul away from temptations to despair and from presumption upon Christ's friendship, pointing to the consoling truth: "I am in all things His debtor, but He bids me call Him Friend." In these pages, Benson will guide you in the ways of Christ's friendship, from first love, through purgation, to illumination. You will see how to be friends with Christ in Himself, but also in the modes by which He offers Himself; some more obvious, such as the saints and the Eucharist; others more strangely disguised, such as the Average Man and the Sinner. Lastly, through the historical life of our Friend crucified and vindicated, Benson will bring you to that crowning moment when Christ pledged His friendship and won ours. This book reveals how one can be friends with Him who asks for our "adoration, dependence, obedience". Wherever you are in your friendship with Christ, whether it is the initial exhilaration of attending "every instant to this new intimate," or whether you are in the thralls of "disillusionment"; whether you perceive Him in the chalice, or whether you are blinded to Him by the sins of the Church and the cry of the Sufferer, Benson shows how in each of these to see the face of your Friend.

  • av Robert Hugh Benson
    426,-

    The book "" By What Authority? "" has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

  • av Robert Hugh Benson
    376 - 526,-

  • av Robert Hugh Benson
    386 - 526,-

  • av Robert Hugh Benson
    356,-

  • av Robert Hugh Benson
    360,-

  • av Robert Hugh Benson
    370,-

    The book "" Come Rack! Come Rope! "", has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

  • av Robert Hugh Benson
    270,-

    From right to left of the huge interior, across the platforms, swelling every instant, surged an enormous swaying, roaring crowd. The flight of steps, twenty yards broad, used only in cases of emergency, resembled a gigantic black cataract nearly two hundred feet in height. Each car as it drew up discharged more and more men and women, who ran like ants towards the assembly of their fellows. The noise was indescribable.

  • av Robert Hugh Benson
    340,-

    Dawn Of All , has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.

  • av Robert Hugh Benson
    176,-

    This historic collection of eleven apologetic sermons was delivered by Robert Hugh Benson (1871 - 1914) in England and the United States in the early 20th-century on the eve of World War I. The titles of the sermons are as follows:I Peace and WarII Wealth and PovertyIII Sanctity and SinIV Joy and SorrowV Love of God and Love of ManVI Faith and ReasonVII Authority and LibertyVIII Corporateness and IndividualismIX Meekness and ViolenceX the Seven WordsXI Life and DeathThis work was published in London in 1913. At the time Benson had been appointed a Chamberlain to Pope Pius X and had earned the title of Monsignor.These classic sermons have been augmented with illustrations of Robert Hugh Benson himself, along with images of the people and events he refers to in the text.

  • av Robert Hugh Benson
    870 - 1 170,-

  • av Robert Hugh Benson
    586 - 870,-

  • av Robert Hugh Benson
    760 - 1 056,-

  • av Robert Hugh Benson
    310 - 616,-

  • av Robert Hugh Benson
    760 - 1 056,-

  • av Robert Hugh Benson
    700 - 1 000,-

  • av Robert Hugh Benson
    310 - 616,-

  • av Robert Hugh Benson
    516 - 800,-

  • av Robert Hugh Benson
    586 - 870,-

  • av Robert Hugh Benson
    516 - 800,-

  • av Robert Hugh Benson
    206,-

    This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

  • av Robert Hugh Benson
    246,-

    Science fiction as a genre of literature was not differentiated in the minds of publishers from fantasy tales until nearly the middle of the Twentieth Century-and that sentence may inflame affectionados of the form but so be it. Is Edward Bellamy's Looking Backwards a political fantasy or science fiction dealing with politics and economics? Good question. The answer is in the mind of the reader.In the mind of the author of Lord of the World brewed a saga dealing with an uncertain future date when the world is split into warring factions of radical socialists, each in control of one or more continents. Benson calls them communists but he does not have the Leninist-Stalinist-Maoist type communists in mind, just utopian socialists who have abolished most aspect of a capitalist society but retained a semblance of representative-if authoritarian-government. Throughout the world there is universal health care but it advocates euthanasia for those who are depressed, ill or injured. People fly from place to place on transports that double as bombers. A charismatic American politician manages to gain control of all of the continental factions, ending their internecine wars, and uniting them in the task of eliminating religion by bombing the principle headquarters of religious institutions. Survivors are pursued relentlessly. It is a well told tale by a contemporary of Edgar Rice Burroughs, Franz Kafka and Jules Verne.Robert Hugh Benson's 1907 novel arrived in the same era as L. Frank Baum's Ozma of Oz, G.K. Chesterton's The Man who was Thursday, Kenneth Graham's Wind in the Willows, H. Rider Haggard's Yellow God; An Idol of Africa, and H.G. Well's War in the Air. It is a science fiction period piece but in November of 2013, Pope Francis said that it depicted, "the spirit of the world which leads to apostasy almost as if it were a prophecy." Who knew the Pope read science fiction?

  • av Robert Hugh Benson
    456,-

    Lord of the World is Robert Hugh Benson's sci-fi novel about the approach of the apocalypse and emergence of the Antichrist in an alternate timeline.First published in 1907, this novel is commonly cited as one of the earliest examples of dystopian fiction. At the time the author was strongly opposed to the view of H. G. Wells that a combination of technology and new political ideologies would lead to a boundless utopia for mankind, with religious belief rejected in favor of broad secularism. Repelled by this popular vision of the future, Benson set out to create his own. Lord of the World was the result of his endeavor: it depicts a future in which the Labour Party abolishes many of the scientific, commercial and religious bodies of the United Kingdom, resulting in a mono-culture of communistic rule. The world meanwhile is split between two superpowers - the Eastern Empire whose rule stretches across most of Asia, and the British Empire.

  • av Robert Hugh Benson
    186,-

    First published in 1907, "Lord of the World" is the dystopian work of science fiction by Monsignor Robert Hugh Benson which depicts the rise of the Anti-Christ and the ensuing end of the world. The novel begins with a prologue set in early 21st century London in which the history of the last century is described. A global rise of Marxism has divided the world up into three power-blocs; a European Confederation of Marxist one-party states, an Eastern Empire comprised of the former Asian and Oceanic countries, and an American Republic comprised of North, South, and Central America. Culture and politics is now dominated by a mix of Marxism, atheism, and secular humanism. As tensions between the European Confederation and the Eastern Empire inch the world ever closer to global war, a dynamic American politician, Vermont Senator Julian Felsenburgh, furiously crisscrosses the globe in charge of the American Republic's peace delegation. Felsenburgh through a wave of populist support and Machiavellian power plays arises to become leader of the world. Simultaneously Father Percy Franklin works against the global disintegration of religious faith. What follows is an apocalyptic conflict between these two dynamically opposed forces. Heralded as prophetic by religious leaders like Pope Francis, "Lord of the World" presents a not implausible dystopian imagination of the end of the world. This edition is printed on premium acid-free paper.

  • av Robert Hugh Benson
    286,-

    1907 Dystopian Science Fiction, Alternate History "You must give me a moment," said the old man, leaning back. Percy resettled himself in his chair and waited, chin on hand. It was a very silent room in which the three men sat, furnished with the extreme common sense of the period. It had neither window nor door; for it was now sixty years since the world, recognising that space is not confined to the surface of the globe, had begun to burrow in earnest. Old Mr. Templeton's house stood some forty feet below the level of the Thames embankment, in what was considered a somewhat commodious position, for he had only a hundred yards to walk before he reached the station of the Second Central Motor-circle, and a quarter of a mile to the volor-station at Blackfriars. He was over ninety years old, however, and seldom left his house now. The room itself was lined throughout with the delicate green jade-enamel prescribed by the Board of Health, and was suffused with the artificial sunlight...

  • av Robert Hugh Benson
    346,-

  • av Robert Hugh Benson
    200,-

  • av Robert Hugh Benson
    280,-

  • av Robert Hugh Benson
    140,-

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