Böcker av Robin Evans

A funny story, told in rhyme, To colour in, and pass the time. Paul and Yuki, out to search for Bownessie on the lake, get more adventures than they were expecting! Luckily, Bownessie, England's Lake Monster, and their friend Cha-Cha Char are nearby and ready to help!What sorts of trouble have the children gotten themselves into? Find out in Bownessie Saves the Day! Enjoy this story colouring book about England's Nessie counterpart, with original art to colour in, and a story perfect for reading-along with younger readers.

A re-edition of Robin Evans' classic essay anthology Translations from Drawing to Building and Other Essays, originally published by the Architectural Association (AA) in 1997. Featuring a new introduction, the book is the first in a new series of essay anthologies entitled AA Documents. 'What makes this book so captivating is not just the individual insights, but also the intensity of Evans's vision and the coherence of his approach.' --Joseph Rykwert, Harvard Design Magazine This book brings together eight of the most interesting and significant essays by the unequalled historian Robin Evans, author of The Projective Cast. Written over a period of 20 years from 1970, shortly after his graduation from the Architectural Association (AA), to 1990, the essays cover a wide range of architectural concerns: domestic space, society's involvement with building types, aspects of geometry, modes of projection and drawing as a process for generating ideas. The book includes 'Mies van der Rohe's Paradoxical Symmetries' and other essays first published in AA Files. Evans's writings are supported by a new introduction and an annotated bibliography by Richard Difford. This AA Documents publication is a re-edition of the 1997 essay collection originally published by AA Publications.

Venna's Planet is the story of a beautiful woman who tired of shooting aliens, yearns to settle on the new world over which futile war is being fought. However, her decision to join the planetary teams upsets her superior officer, sometimes known as The Countess, who is obsessed with her one-time protégé, and orders her to be abducted, an operation so badly undertaken that its consequences reverberate throughout the entire story.Our heroine is captured and subjected to a process intended to rob her of her very humanity, and within a short space of time, everything she thought she knew is turned inside-out and upside-down.Venna finds herself lost on Promise - the name given to the new planet - and, with a group of new friends, is pursued by menaces from all quarters. Compounding these threats, the otherwise Utopian world is home to terrifying monsters of unfriendly disposition... and at least one tribe of murderous indigenous inhabitants who are very unhappy about the invaders from Earth.Nobody knows the whole truth about Promise,or what plans are being laid by the colonists. Venna knows only that terrible danger hides in its beauty, and that its secrets will not be learned easily.Broken Promise is the first part of the story of Venna's Planet, which takes for its inspiration, pre-war movie serials, classic newspaper strips and vintage science fiction pulp cover art. Glamour is favoured over realism of any kind, and Venna spends much of the story in minimal dresses and bikinis; however, this is usually outside her control, and one should not consider her to be in any way immodest. She suffers many tribulations, but always comes up smiling, and ready for whatever else comes her way.Venna is beautiful throughout, and refuses to be embittered by the dreadful things that happen to her on this troubled planet. Her planet. Venna's Planet.

This 1982 book describes a new kind of prison architecture that developed in the late eighteenth and early nineteenth centuries. The book places architecture in the context of contemporary penal practice and thought. The book shows the profound change in the nature of architecture, exemplified in the reformed prisons.