This 1979 comparative study of the work and thought of the German Romantic writer E. T. A. Hoffmann and the French poet Charles Baudelaire attempts to explain Baudelaire's fascination with Hoffmann's combination of humour and the fantastic, showing the extent to which the two men shared very similar views.
Although much has been written lately on the links between painting and writing, little or no attention has been paid to those moments in literature when the narrative stops to allow for the description of those objects we associate with still life...
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