Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today.
Presents an examination of the internationally renowned National Dance Theatre Company of Jamaica (NDTC) in the context of postcolonial theater. This title examines the interrelationship of Jamaican modern dance theater aesthetics and the Caribbean's complex cultural genealogy since 1492.
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