Recounts the massive reconfiguration of Paris' museum world that resulted from Jacques Chirac's dream, set against a backdrop of personal and national politics, intellectual life, and the role of culture in French society.
What is so "primitive" about primitive art? And how do we dare to use our standards to judge? Drawing on a mixture of sources, this text explores the cultural arrogance implicit in Westerners' appropriation of non-Western art.
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