Saloni Mathur investigates the radical work of two seminal figures-New Dehli-based critic and curator Geeta Kapur, and her husband, contemporary multimedia artist, Vivan Sundaram-to show how their approach to artistic practice and theory may inform subsequent generations and serve as a model for artistic politics in our time.
Maps a series of historical events - since the Raj in the mid-nineteenth century - through which India was made fashionable to Western audiences within the popular cultural arenas of the imperial metropole. This book presents an examination of India as represented in department stores, exhibitions, painting, and picture postcards of the era.
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