Böcker av Samantha Friedman

"Recalling a charcoal she made in 1916, Georgia O'Keeffe later wrote, 'I have made this drawing several times--never remembering that I had made it before--and not knowing where the idea came from.' These drawings, and the majority of O'Keeffe's works in charcoal, watercolor, pastel and graphite, belong to series in which she develops and transforms motifs that lie between observation and abstraction. In the formative years of 1915 to 1918, she made as many works on paper as she would in the next 40 years, producing sequences in watercolor of abstract lines, organic landscapes and nudes, along with charcoal drawings she would group according to the designation 'specials.' While her practice turned increasingly toward canvas in subsequent decades, important series on paper reappeared--including charcoal flowers of the 1930s, portraits of the 1940s, and aerial views of the 1950s"--Harvard Bookstore website (viewed on April 12, 2023)

During the 1920s, Georgia O'Keeffe became widely-known for her paintings of enlarged flowers, and these canvases arguably remain her most iconic today. But she regularly returned to abstraction?the language of her breakthrough drawings from the 1910s. Executed in 1927, Abstraction Blue retains the glowing color, careful modulation, and zoomed-in view of the artist's contemporaneous blooms, while foregoing any obligation toward representation. In this volume of the MoMA One on One series, curator Samantha Friedman considers how these and other factors converged in the creation of this composition.

Lincoln Kirstein was an omnivorous writer, critic, curator and impresario: a key connector and an indefatigable catalyst who drove and supported American artists and institutions in the 1930s and 40s. While he is perhaps best known as the founder of the New York City Ballet, he is also a crucial figure in The Museum of Modern Art's own history: he shaped exhibitions on topics ranging from mural design to Magic Realism; acquired Latin American works for the collection under the auspices of the Inter- American Fund; established the Museum's short-lived Dance Archives and curatorial department of Dance and Theater Design; and contributed an alternative vision to a Museum known for its devotion to abstraction. Published in conjunction with an exhibition devoted to the overlapping networks around Kirstein, this volume examines the Museum's collection from an alternative approach, one that champions figuration, decadence and interdisciplinarity over abstraction, reduction and medium specificity.

A children's book on Degas's paintings, pastels and prints, inspiring children to make their own art about the people and places around them.

A children¿s book published to accompany what is certain to be a blockbuster exhibition, Matisse: The Cut-Outs, showing at Tate Modern from 17 April to 7 September 2014 and thereafter at The Museum of Modern Art, New York