A revelatory study of Georgia O’Keeffe’s New York paintings of the late 1920s and their deep significance within the artist’s development
In the first half of the 20th century, thousands of newcomers - Eastern European emigres, Mexican immigrants, and Southerners both black and white - flocked to Chicago. This title highlights approximately seventy-five paintings, works on paper, photographs, and sculptures by such artists as Eldzier Cortor, Archibald Motley, and Morris Topchevsky.
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