The book critically examines the making of German-Jewish musical heritage and its location and dubious non-location within the German cultural sector and larger Jewish community in Germany. It further theorizes on the intersection of Jewish heritage and cultural sustainability by employing thoughts and ideas of critical heritage studies.
Sarah M. Ross brings together scholarship on Jewish liturgy, U.S. history, and musical ethnology to describe its roots and development, focusing on the work of songwriters such as Debbie Friedman and Linda Hirschhorn.
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