Böcker av Seamus Heaney

In North Seamus Heaney found a myth which allowed him to articulate a vision of Ireland - its people, history and landscape. Here the Irish experience is refracted through images drawn from different parts of the Northern European experience, and the idea of the north allows the poet to contemplate the violence on his home ground in relation to memories of the Scandinavian and English invasions which have marked Irish history so indelibly.

The greatest of the late medieval Scottish makars, Robert Henryson wrote in Lowland Scots, a distinctive northern version of English. He was profoundly influenced by Chaucer's vision of the frailty and pathos of human life. His greatest poem, and one of the rhetorical masterpieces of the literature of these islands, is the narrative Testament of Cresseid, set in the aftermath of the Trojan War, which completes the story of Chaucer's Troilus and Criseyde, offering a grim and tragic account of its faithless heroine's rejection by her lover Diomede, and her decline into prostitution and leprosy. A work of unreconciled Shakespearean intensity, the Testament has been translated by Seamus Heaney into a confident and yet faithful modern English idiom which honours the poem's unique blend of detachment and compassion.A master of narrative, Henryson was also a comic master of the verse fable; his burlesques of human weakness in the guise of animal wisdom are traced with delicate comedy and irony. Seven of the Fables are here sparklingly translated; their burlesque freshness rendered to the last claw and feather. Seven Fables and The Testament of Cresseid is an extraordinarily rich and wide-ranging encounter between two poets across six centuries.

This volume contains a selection of work from each of Seamus Heaney's published books of poetry up to and including the Whitbread prize-winning collection, The Haw Lantern (1987).'His is 'close-up' poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.' John Banville'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey

'An irresistibly coherent book which celebrates the rising and the raising of the human spirit.' Michael Hofmann, The Times'If any poetry written today can have this 'redemptive effect' - as Heaney in his critical writing has begun to claim it can - then this is it.' Mick Imlah, Independent on Sunday

Seamus Heaney's new collection starts 'in an age of bare hands and cast iron' and ends 'as the automatic lock / clunks shut' in the eerie new conditions of a menaced twentieth-first century. In their haunted, almost visionary clarity, the poems assay the weight and worth of what has been held in the hand and in the memory. Images out of a childhood spent safe from the horrors of World War II - railway sleepers, a sledgehammer, the 'heavyweight silence' of cattle out in rain - are coloured by a strongly contemporary sense that 'anything can happen' and other images from the dangerous present - a journey on the underground, a melting glacier - are fraught with this same anxiety. But District and Circle, which includes a number of prose poems and translations, offers resistance as the poet gathers his staying powers and stands his ground in the hiding places of love and excited language. In a sequence like 'The Tollund Man in Springtime' and in several poems which 'do the rounds of the district' - its known roads and rivers and trees, its familiar and unfamiliar ghosts - the gravity of memorial is transformed into the grace of recollection. With more relish and conviction than ever, Seamus Heaney maintains his trust in the obduracy of workaday realities and the mystery of everyday renewals.

Between my finger and my thumbThe squat pen rests; snug as a gun. -- from 'Digging'With its lyrical and descriptive powers, Death of a Naturalist marked the auspicious debut of one of the century's finest poets.

A brilliant and faithful rendering of the Anglo-Saxon epic from the Nobel laureate.Composed toward the end of the first millennium of our era, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath. In the contours of this story, at once remote and uncannily familiar at the end of the twentieth century, Seamus Heaney finds a resonance that summons power to the poetry from deep beneath its surface.Drawn to what he has called the "four-squareness of the utterance" in Beowulf and its immense emotional credibility, Heaney gives these epic qualities new and convincing reality for the contemporary reader.

Questa è una raccolta di 21 poesie del Premio Nobel per la Letteratura 1995, Seamus Heaney, tratte da "The Spirit Level", nella traduzione italiana di Erminia Passannanti. l libro contiene gli originali in inglese. L'espressione "fortuna letteraria" è particolarmente idonea a descrivere il percorso compiuto dall'opera di Seamus Heaney nell'arco di un ventennio. L'assegnazione del Nobel per la Letteratura, nel 1995, a questo autore, mentre rappresentava il massimo tributo a un'arte poetica che aveva saputo guadagnarsi un successo di portata mondiale, focalizzava l'attenzione dell'opinione pubblica su tutta la poesia irlandese contemporanea prodotta nel nord dell'isola, e dunque, in modo indiretto, sui primi seri tentativi di una sistemazione politica del conflitto civile in nord-Irlanda.

A companion to The Rattle Bag, The School Bag is an engaging and authoritative selection for the classroom. Seamus Heaney and Ted Hughes have chosen an eclectic range of poets read in today's schools, but also those poems that the editors themselves read at school, or those from which they learned the most.