Böcker av Sean Redmond

The loneliness room uniquely draws upon the art of ordinary people to explore and explain how and why they experience loneliness today. Refusing to hold to a single definition of loneliness, the book instead uses the metaphor of the loneliness room to enable people to submit artistic responses that are personal and political, and which often refute and resist the pathology that is attached to feeling lonely in the world.The loneliness room examines the art and media forms that so often are charged with representing loneliness, taking in photography, paintings, film, the documentary, music and sound, and poetry and literature. The book powerfully shows how these representations create discourses in and around loneliness which lays its cause and consequences and the doors of individuals rather than at the political and economic structures of neo-liberal capitalism.The loneliness room advances the tools and methods of audio-visual ethnography, showing how creative practice affords new opportunities for data gathering. As a book, it transforms not only the way we understand loneliness, but the practices we employ to better understand it.

Built from stories and memories shared by self-defined David Bowie fans, thisbook explores how Bowie existed as a figure of renewal and redemption,resonating in particular with those marginalized by culture and society.

An engaging introduction to the key terms, concepts, dilemmas and issues that are central to the study and critical understanding of celebrity, exploring the impacts of celebrity culture on the modern media and examining the influence that celebrity has on the way people place themselves in the modern world.

The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working film director, performer, and celebrity. The volume uniquely explores Kitano's oeuvre through the tropes of stillness and movement, becoming animal, melancholy and loss, intensity, schizophrenia, and radical alterity; and through the aesthetic temperatures of color, light, camera movement, performance and urban and oceanic space. In this highly original monograph, all of Kitano's films are given due consideration, including A Scene at the Sea (1991), Sonatine (1993), Dolls (2002), and Outrage (2010).

Ridley Scott's Blade Runner is now widely recognised as a masterwork of science fiction cinema, and one of the most influential of any films released in the last twenty-five years.

Required reading for all those studying contemporary World Cinema or Asian Studies, Studying Chungking Express considers these historical details but also the key issues of film form, author-ship, representation, and identity.