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Böcker av Simon Kemp

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  • av Simon Kemp
    1 000,-

    Chapter 3 deals with medieval theories of perception, particularly visual perception, while chapter 4 covers cognition and memory, particularly the medieval doctrine of the inner senses, according to which many cognitive functions were performed in the ventricles of the brain.

  • av Simon Kemp
    1 920,-

    Crime fiction is a popular target for literary pastiche in France. From the nouveau roman and the Oulipo group to the current avant-garde, writers have seized on the genre to exploit it for their own ends, toying with its traditional plots and characters, and exploring its preoccupations with perception, reason and truth.

  • - With all you need to know for your 2022 assessments
    av Simon Kemp
    190,-

    This guide for L'etranger is ideal for use in the classroom or for independent revision, providing insight into characters, theme and language,with activities in French that prompt a closer analysis of the text. UK schools save 40% off the RRP! Discount will be automatically applied when you order on your school account.

  • - Representing Consciousness from Proust to the Present
    av Simon Kemp
    566 - 2 190,-

  • - Human Nature, Psychology and the Communist Economy
    av Simon Kemp
    796,-

    This book explores whether the ideology of communism was doomed to failure due to psychological rather than structural flaws. This book considers such questions, both with respect to how communism actually functioned and how it could have functioned using examples from Eastern Europe and the USSR itself during the 20th century.

  • av Simon Kemp
    1 430,-

    This book summarizes the ideas about cognitive psychology expressed in the writings of medieval Europeans. The translation of the works of Aristotle and some of the works of Arab scholars into Latin during the 12th and 13th centuries brought a high level of sophistication to the theories.

  • - The Return to the Story
    av Simon Kemp
    280,-

    Explores the state of French fiction through an examination of the work of five major French writers, Annie Ernaux, Pascal Quignard, Marie Darrieussecq, Jean Echenoz and Patrick Modiano. This book deals with some of the writers on British and American university French courses.

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