Böcker av Simon Richter

New essays from leading Goethe scholars providing testimony to the continuing, even renewed, relevance of Goethe for literary studies today.Invoking Goethe's name has become fashionable again. With new methods and technologies of reading threatening to render literature virtual and insubstantial, we have the sense that "e;Goethe's ghosts"e; - the otherwise neglected voices and traditions that, finding their most trenchant expression in Goethe, inform the Western storehouse of literature - can show us long-forgotten dimensions of literature. Inspired by the distinguished Goethe scholar Jane Brown,whose life's work has called attention to the allegorical modes haunting the mimetic forms that dominate modern literature, the contributors to this volume take a rich variety of approaches to Goethe: cultural studies, history ofthe book, semiotics, deconstruction, colonial studies, feminism, childhood studies, and eco-criticism. The persistence, omnipresence, and modalities of the "e;ghosts"e; they find suggest that more than influence or standards is at issue here. The stubborn reappearance of these revenants testifies to more fundamental issues concerning the status of literature and the task of the reader. As the contributors demonstrate, these questions acquire renewed urgency inwriters as diverse as Hegel, Adorno, Benn, Droste-Hulshoff, and Nietzsche. Each of the essays testifies to the enduring salience and presence of Goethe. Contributors: Helmut Ammerlahn, Benjamin Bennett, Dieter Borchmeyer, Franz-Josef Deiters, Richard T. Gray, Martha B. Helfer, Meredith Lee, Clark Muenzer, Andrew Piper, Jurgen Schroder, Peter J. Schwartz, Patricia Anne Simpson, Robert Deam Tobin, David E. Wellbery, Sabine Wilke. SimonRichter is Professor of German Literature at the University of Pennsylvania. Richard Block is Associate Professor of German at the University of Washington.

The Lola film is a distinct subgenre of the woman's film in which woman's claim to pleasure is entertained without recourse to the figure of the femme fatale.

The cult of the female breast in contemporary American and European society is as pervasive as it is notorious. Our current fascination merely updates a long-standing obsession with the breast, which over the past twenty years has also become a subject of scholarly attention. Most historians and cultural theorists have focused on England and France, with virtually all research starting from the simple assumption that the breast is a signifier of the feminine and the female. With Missing the Breast, Simon Richter uses the texts of Enlightenment-era Germany to challenge that assumption, engaging instead the complexity of culturally constructed notions of the breast.Using the tools of medicine, literary theory, psychology, psychoanalysis, and etymology, Richter probes the breast-related fantasies underlying German culture and literature in the second half of the eighteenth century. His study reveals that, whereas in England and France and in the public imagination generally, the breast has been associated with the feminine and with abundance, the inherent logic of the breast in German culture unexpectedly pushes the breast toward masculinity and lack. Richters tour de force of textual and cultural analysis brings together the work of important German poets, writers, and dramatists, as well as major psychoanalysts and their critics, and writers and artists of the English-speaking world, to explore the tension between the plenitude of the breast and the implications of its absence. His engaging study draws the reader ineluctably toward a revolutionary possibility: the breast as an unruly and uncontainable signifier, the equal and more of what Lacan called the phallus.Missing the Breast will be an indispensable addition to the libraries of those interested in German textual studies, the history of sexuality, and theories of psychoanalysis. Its groundbreaking perspective will make a significant contribution to the fields of literary studies, gender studies, and womens studies.

New, interdisciplinary essays on an array of topics ranging from Goethe and mineralogy to theories of masculinity around 1800.