Böcker av Sonia Hu

作家紐約桃花（Sonia Hu）的傳記《上海浮生若夢》(再版為《浮生上海》)、電影筆記《鏡花水月懷舊事》、小說集《上海以北，北京以南》之後的第一部個人詩集，詩風既有古典詩歌的韻律美，也有現代詩「直抒其意」式的通達，其中一些詩更帶著淡淡的民國風，可謂是她系列大部頭作品的微縮版，具有極強的可讀性。 American Chinese writer Sonia Hu's first poetry collection after the publication of her biography "Shanghai Forever Lost", the film journal "Mirror Flower Water Moon", and the novel "North of Shanghai, South of Beijing". Her poetic style has the rhythmic beauty of classical poetry and the directness of modern poetry.

這是一本作者胡桃創作於八十年代的詩歌，是一部青春的詩集。 正如評論家洪君植所評述的那樣：我們靜靜地讀胡桃詩的時候，我們會不知不覺中走進那個充滿激 情而又迷茫，混沌的時代，那個時代不是少男少女的懵懂，是社會位 面的懵懂，文化層面的青澀，文學領域的稚嫩。而胡桃的詩以其青澀、 稚嫩、懵懂、淡雅的詩語，徐徐地切開了裹包著心靈的那一層薄膜。 無論是青澀還是悸動，光影始終是讓人萬般無奈地"逝者如斯夫"， 而人們面對世間有為法，無論是如夢幻泡影，還是如露如電總是要紅 塵中各走自己的路。 "歲日是我們雙眸中 / 一條無標記的線"。沒有 標記，沒有邊際，在塵世虛幻的世界裡變成虛擬的世界，從光怪陸離， "閃光的履歷"三個維度的立體空間，縮成兩個維度的平面，再從平 面編成一條一個維度的線。然而，年輕的執著是最強大的力量，他們"循著太陽的光影""走向一起"。他們"穿過霧靄 / 目光中消失了 青青的童年 / 成熟 / 凝注了激情的語言", 他們堅信"有一天，我們 / 會找到重合的焦點"(《無題》1983.1)。於是我們讀到了那個時代 少男少女的徬徨，期盼，躊躇與堅毅。縱觀這裡收錄的八九十年代的詩，我們從中看到那個時代青春的 激情與坍縮，可以讀到縮小版的時代映像與時代青春男女的心路歷程。This is a collection of youthhood poems by Sonia Hu in the early 1980s. As the critic Hong Junzhi commented: when we read this collection of poems, we unknowingly enter the era full of passion, confusion, and chaos. That era is not the age of innocence for teenagers, but the age of ignorance of society and culture, and the immaturity of the literature. Sonia's poems, with her unmatured youth, and elegant poetic language, slowly cut through the layer of film that wraps the soul and heart.

Shanghai, Forever Lost is a nonfiction book based on the true stories and events of both my grandmother and mother from 1920s Shanghai to 1950s Peking. Shanghai, Forever Lost reflects the bond between mother and daughter in turmoil of war, political takeover and human tragedies. It's a book of oral history that could serve as a witness of Chinese history from the 1920's to the 1950's. With many actual photos of the time, Shanghai, Forever Lost will resonate with its readers who have an interest in mother and daughter relationship as well as life and history of China.a e a a Sa S c Ye a e a a e a S cs a a e a a a c cs a c Yc aZ i e se a e cs a a a Z a a a a a a a a a a a a S a a Sa a a a a a a cs a e c aZ i c a a S cs e aZ a a i aZ a cs a a a c Ye cs a a a a a a e a a c a a S a Sa a aZ a a a e a a a a cs a e i a a i a a a a a e cs e a Si e a a cZ i e aZ a e e i e a a a a

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A Reflection on Passing Time consists of poems and artwork by 29 Chinese and American Chinese poets and contemporary artists, who have been living and working in New York for more than a decade. For these writers and artists, New York becomes more than a location. It becomes a constant carnival of art and culture that serves as the inspiration to their work.