Böcker av Stanley Corkin

The first comprehensive, season-by-season analysis of the critically acclaimed HBO series The Wire, this book explicates the complex narrative arc of the entire series and its sweeping vision of institutional failure in the postindustrial United States.

In the mid-nineteenth century, Boston fashioned itself as a global hub. By the early 1970s, it was barely a dot on the national picture. It had gained a reputation as a decaying city rife with crime and dysfunctional politics, as well as decidedly retrograde race relations, prominently exemplified by white resistance to school integration. Despite this historical ebb in its national and international presence, it still possessed the infrastructure--superb educational institutions such as Harvard and MIT, world-class sports teams like the Celtics and Red Sox, powerful media outlets like The Boston Globe, and extensive shipping capacity--required to eventually thrive in an age of global trade and mass communication. In Boston Mass-Mediated, Stanley Corkin explores the power of mass media to define a place. He examines the tensions between the emergent and prosperous city of the late twentieth and early twenty-first centuries and its representation in a range of media genres such as news journalism, professional sports broadcasting, and popular films like Mystic River and The Departed. This mass media, with its ever-increasing digital reach, has emphasized a city restricted by tropes suggestive of an earlier Boston--racism, white ethnic crime, Catholicism, and a pre-modern insularity--even as it becomes increasingly international and multicultural. These tropes mediate our understanding and experience of the city. Using Boston as a case study, Corkin contends that our contemporary sense of place occurs through a media saturated world, a world created by the explosion of digital technology that is steeped in preconceptions.

Examines many of the significant westerns released between 1946 and 1962, analyzing how they responded to and influenced the cultural climate of the country. This work discusses a dozen films in detail, connecting them to each other and to numerous others. It considers how these cultural productions embellished the myth of the American frontier.

This work offers an interdisciplinary view of American culture in the late 19th and early 20th centuries. The author examines the ways in which the works of writers and filmmakers from 1885 to 1925 shaped and were shaped by the business, politics and social life of the period.