Focusing on fictional and theoretical texts, this book proposes literature, narrative fiction in particular, as a singular form of musical performance. It offers an informed interdisciplinary approach to the study of literature and music that participates in the theoretical debate on the status of meaning in music.
A guide to the creative possibilities of critical writing. It offers a thorough introduction to the theory and practice of creative-critical writing. It includes five new essays from leading practitioners, each offering a take on creative-critical writing today.
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