Drawing on new historical principles, this book examines literary and historical narratives, legal statutes and records, sermons, lyric poetry, and biblical exegesis circulating in medieval England in order to theorize the figure of the outlaw and uncover the legal, ethical, and social assumptions that underlie the practice of outlawry.
The first study dedicated to the relationship between Alexander Pope and George Berkeley, this book undertakes a comparative reading of their work on the visual environment, economics and providence, challenging current ideas of the relationship between poetry and philosophy in early eighteenth-century Britain.
Drawing on new historical principles, this book examines literary and historical narratives, legal statutes and records, sermons, lyric poetry, and biblical exegesis circulating in medieval England in order to theorize the figure of the outlaw and uncover the legal, ethical, and social assumptions that underlie the practice of outlawry.
The first study dedicated to the relationship between Alexander Pope and George Berkeley, this book undertakes a comparative reading of their work on the visual environment, economics and providence, challenging current ideas of the relationship between poetry and philosophy in early eighteenth-century Britain.
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