The poems in Tamar Yoseloff's Belief Systems act as a call to make something worthwhile from the wreckage of our world, in the spirit of the radical artists she evokes, such as John Latham, John Cage and Robert Rauschenberg - visionaries who located power and beauty in what is forgotten.
In the central sequence `Cuts' in Tamar Yoseloff's collection The Black Place, a cancer diagnosis arrives around the same time as news of the Grenfell Tower disaster. This conjunction of the personal and political is uneasy territory but one that the poet moves through with flair, fashioning a new urban noir, darkly glittering and memorable.
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