Böcker av Tennessee Williams

Winner of the Pulitzer Prize, Tennessee Williams's A Streetcar Named Desire is the tale of a catastrophic confrontation between fantasy and reality, embodied in the characters of Blanche DuBois and Stanley Kowalski. 'I have always depended on the kindness of strangers'Fading southern belle Blanche DuBois is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley Kowalski. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness.Tennessee Williams's steamy and shocking landmark drama, recreated as the immortal film starring Marlon Brando, is one of the most influential plays of the twentieth century.This Penguin Modern Classics edition includes an introduction by Arthur Miller.'Lyrical and poetic and human and heartbreaking and memorable and funny'Francis Ford Coppola, director of The Godfather'One of the greatest American plays'Observer

When Memoirs was first published in 1975, it created quite a bit of turbulence in the media--though long self-identified as a gay man, Williams' candour about his love life, sexual encounters, and drug use was found shocking in and of itself, and such revelations by America's greatest living playwright were called "e;a raw display of private life"e; by The New York Times Book Review. As it turns out, more than thirty years later, Williams' look back at his life is not quite so scandalous as it once seemed; he recalls his childhood in Mississippi and St. Louis, his prolonged struggle as a "e;starving artist,"e; the "e;overnight"e; success of The Glass Menagerie in 1945, the death of his long-time companion Frank Merlo in 1962, and his confinement to a psychiatric ward in 1969 and subsequent recovery from alcohol and drug addiction, all with the same directness, compassion, and insight that epitomize his plays.

This revised Student Edition includes an introduction by Bess Rowen, Assistant Professor at Villanova University, US, which looks in particular at the play's treatment of rape, vulnerable people, mental institutions (especially in connection to Williams's own family), sexuality and sexual desire.A Streetcar Named Desire shows a turbulent confrontation between traditional values in the American South - an old-world graciousness and beauty running decoratively to seed - set against the rough-edged, aggressive materialism of the new world. Through the vividly characterised figures of Southern belle Blanche Dubois, seeking refuge from physical ugliness in decayed gentility, and her brutal brother-in-law Stanley Kowalski, Tennessee Williams dramatises his sense of the South's past as still active and often destructive in modern America.METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright's life and work· An introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· A succinct overview of the creation processes followed and subsequent performance history of the piece· An analysis of, and commentary on, some of the major themes and specific issues addressed by the text· A bibliography of suggested primary and secondary materials for further study

These tales were penned by one Thomas Lanier Williams of Missouri before he became a successful playwright, and yet his voice is unmistakable.The reliable idiosyncrasies and quiet dignity of Williams's eccentrics are already present in his characters. Consider the diminutive octogenarian of "The Caterpillar Dogs", who may have just met her match in a pair of laughing Pekinese that refuse to obey; the retired, small-town evangelist in "Every Friday Nite is Kiddies Nite", who wears bright-coloured pyjamas and receives a message from God to move to St. Louis and finally, finally go to the movies again; or the distraught factory worker whose stifled artistic spirit, and just a soupçon of the macabre, propel the drama of "Stair to the Roof".Love's diversions and misdirections, even autoerotic longings, are found in these delightful lagniappes: in "Season of Grapes," the intoxicating ripeness of summer in the Ozarks acquaints one young man with his own passions, which turn into a fever dream, and the first revelation of female sexuality blooms for a college boy in "Ironweed". Is there such a thing as innocence? Apparently in the 1930s there was, and Williams reveals it in these stories.

First published in 1947, 'A Streetcar Named Desire' is an American play by Tennessee Williams, an American playwright, and screenwriter. Along with contemporaries Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama. It centers on a desolated woman named Blanche DuBois. Raised in Old South aristocratic traditions, she lived elegantly in the family homestead, married a man she adored, and pursued a career as an English teacher. But her life fell apart when she discovered that her husband, Allen Grey, was having a homosexual affair. Humiliated, he killed himself. Blanche sought comfort in the arms of other men, many men. After she had relations with one of her students, a 17-year-old, authorities learned of the encounter and fired her. Though scarred by her past, Blanche still tries to lead the life of an elegant lady and does her best, even lying when necessary, to keep up appearances. Top 10 Hardcover Library Books: A Wrinkle in Time (9789389440188) How to Stop Worrying and Start Living (9789387669161) Their Eyes Were Watching God (9789389440577) The Magic of Believing (9789388118217) Zen in the Art of Archery (9789354990298) A Cloud by Day, a Fire by Night (9789391181611) Siddhartha by Hermann hesse (9789387669116) The Richest Man in Babylon (9789354990717) The Book of Five Rings (9789389440553) The Knowledge of the Holy (9789389157239) Note: Search by ISBN

A Welsh adaptation by Emyr Edwards of Tennessee Williams''s play, The Glass Menagerie.

Tennessee Williams' Collected Stories combines the four short-story volumes published during Williams' lifetime with previously unpublished or uncollected stories. Arranged chronologically, the forty-nine stories, when taken together with the memoir of his father that serves as a preface, not only establish Williams as a major American fiction writer of the twentieth century, but also, in Gore Vidal's view, constitute the real autobiography of Williams' "art and inner life."

Anne-Marie Duff stars as Blanche DuBois in BBC Radio 3's landmark production of Tennessee Williams' masterpieceTennessee Williams's iconic play tells the story of a catastrophic confrontation between fantasy and reality, embodied in the characters of Blanche DuBois and Stanley Kowalski. Blanche DuBois arrives unexpectedly on the doorstep of her sister Stella and her explosive brother-in-law Stanley. Over the course of one hot and steamy New Orleans summer, Blanche's fragile facade slowly crumbles, wreaking havoc on Stella and Stanley's already turbulent relationship... Embodying the turmoil and drama of a changing nation, A Streetcar Named Desire strips Williams's tortured characters of their illusions, leaving a wake of destruction in their path. Tennessee Williams's 1947 drama is one of the most loved and well-known stage plays of the 20th century. It won the Pulitzer Prize for Drama and the New York Drama Critics' Circle Award in 1948, and the 1951 film adaptation picked up four Oscars. In this compelling radio dramatisation, Blanche is played by Olivier Award-winning actress Anne-Marie Duff, with a stellar cast including Matthew Needham as Stanley and Pippa Bennett-Warner as Stella. Cast:Blanche: Anne-Marie DuffStella: Pippa Bennett-WarnerStanley: Matthew NeedhamMitch: John HeffernanSteve: David SturzakerEunice: Sarah RidgewayPablo: John DougalMexican Woman: Leila AriasCollector: Tom ForristerNurse: Georgie GlenDramatised by Sarah ChurchwellProduced and directed by Sasha Yevtushenko

These three dramatic works by Tennessee Williams explore the darker side of human nature and are haunted by a sense of isolation and regret. 'Suddenly Last Summer' is the starkly told story of Catherine, who seemingly goes insane after her cousin Sebastian dies in grisly circumstances on a trip to Europe. 'The Milk Train Doesn't Stop Here Anymore' is a passionate examination of a wealthy old woman as she recounts her memories in the face of death, while in 'Small Craft Warnings' a motley group of people - including a blowsy beautician, a discredited alcoholic doctor, a vulnerable waif and two gay men - sit around a seedy bar on the Californian coast, each contemplating their own desperate fate.

Tennessee Williams's controversial Hollywood screenplay Baby Doll opens with Archie Lee's teenage bride driving him to distraction, as she has refused to consummate their marriage until the day of her twentieth birthday. Enter wily Sicilian Silva Vaccaro, Archie's rival both in the cotton business and for the affections of the flirtatious Baby Doll, and things reach breaking-point. This volume also contains Something Unspoken, a brilliantly comic study of a wealthy, manipulative Southern spinster, and Summer and Smoke, a sexually charged portrayal of Alma, a sensitive, unmarried minister's daughter, and her childhood love, the wild, sensual doctor's son John.

Loneliness, sexual tension and the need for human kindness pervade these three plays by Tennessee Williams, as their characters rage against personal demons and the modern world. In 'Sweet Bird of Youth', a drifter, Chance Wayne, returns to his home town with an ageing movie actress in search of the girl he loved in his youth, but with terrible, violent results. 'Period of Adjustment' tells the story of two young newlyweds who visit the husband's old army friend on Christmas Eve after unsuccessfully consummating their marriage, and unleash forbidden passion, while in 'The Night of the Iguana' a diverse group of people, including a disturbed ex-minister and a troubled spinster, are thrown together in an isolated Mexican hotel for one eventful night.

The greatest playwright of the American South, Tennessee Williams used his talent throughout his life to create brief plays exploring many of the themes that dominated his best-known works. Here, thirteen never-before-published one-act dramas reveal some of his most poignant and hilarious characters. From the indefatigable, witty and tough drag queens of And Tell Sad Stories of the Death of Queens to the disheartened poet Mister Paradise, and the extravagant mistress in The Pink Bedroom, these are tales of isolated figures struggling against a cruel world, who refuse to lose sight of their dreams.

In these three exotic, steamy dramas Tennessee Williams portrays loss, faded lives and passionate love affairs.The Rose Tattoo is set in a bustling, Sicilian-American community, where newly widowed Serafina is paralysed by grief, until she has her romantic illusions about her dead husband shattered and rediscovers her true nature as a fiery prima donna, in a life-affirming celebration of love and sex. Tennessee Williams explores a new 'wild and unrestricted' theatrical form in the colourful tropical fantasy Camino Real, while Orpheus Descending, however, takes us into the dark territory of the Deep South: the corrupt hell of a small, brutal township, where a forbidden and tragic love affair sparks horrific violence.

Abandoned by her husband, Amanda Wingfield comforts herself with recollections of her earlier, more gracious life in Blue Mountain when she was pursued by 'gentleman callers'. Her son Tom, a poet with a job in a warehouse, longs for adventure and escape from his mother's suffocating embrace, while Laura, her shy crippled daughter, has her glass menagerie and her memories. Amanda is desperate to find her daughter a husband, but when the long-awaited gentleman caller does arrive, Laura's romantic illusions are crushed.

'Big Daddy' Pollitt, the richest cotton planter in the Mississippi Delta, is about to celebrate his sixty-fifth birthday. His two sons have returned home for the occasion: Gooper, his wife and children, Brick, an ageing football hero who has turned to drink, and his feisty wife Maggie. As the hot summer evening unfolds, the veneer of happy family life and Southern gentility gradually slips away as unpleasant truths emerge and greed, lies, jealousy and suppressed sexuality threaten to reach boiling point. Made into a film starring Elizabeth Taylor and Paul Newman, Cat on a Hot Tin Roof is a masterly portrayal of family tensions and individuals trapped in prisons of their own making.

Four decades of correspondence of Tennessee Williams's and James Laughlin's unlikely yet enduring literary and personal relationship.

Archie Lee Meighan's cotton gin business is foundering in the face of Silva Vacarro's Syndicate Gin. On the day Archie's furniture is repossessed he takes action, burning down the Syndicate Gin. Silva then pays Archie and his wife Baby Doll a visit, seeing the latter as the key to justice.

Orpheus Descending is a love story, a plea for spiritual and artistic freedom, as well as a portrait of racism and intolerance. When charismatic drifter Valentine Xavier arrives in a Mississippi Delta town with his guitar and snakeskin jacket, he becomes a trigger for hatred and a magnet for three outcast souls: storekeeper Lady Torrance, "lewd vagrant" Carol Cutrere, and religious visionary Vee Talbot.Suddenly Last Summer, described by its author as a "short morality play," has become one of his most notorious works due in no small part to the film version starring Elizabeth Taylor, Katharine Hepburn, and Montgomery Clift that shocked audiences in 1959. A menacing tale of madness, jealousy, and denial,the horrors in Suddenly Last Summer build to a heart-stopping conclusion.With perceptive new introductions by playwright Martin Sherman - he reframes Orpheus Descending in a political context and explores the psychology and sensationalism surrounding Suddenly Last Summer - this volume also offers Williams's related essay, "The Past, the Present, and the Perhaps," and a chronology of the playwright's life and works.

"I cannot write any sort of story," said Tennessee [to Gore Vidal] "unless there is at least one character in it for whom I have physical desire." These transgressive Tales of Desire, including "One Arm," "Desire and the Black Masseur," "Hard Candy," and "The Killer Chicken and the Closet Queen," show the iconic playwright at his outrageous best.

Williams wrote: "This is a play about love in its purest terms." It is also Williams's robust and persuasive plea for endurance and resistance in the face of human suffering. The earthy widow Maxine Faulk is proprietress of a rundown hotel at the edge of a Mexican cliff overlooking the Pacific Ocean where the defrocked Rev. Shannon, his tour group of ladies from a West Texas women's college, the self-described New England spinster Hannah Jelkes and her ninety-seven-year-old grandfather, Jonathan Coffin ("the world's oldest living and practicing poet"), a family of grotesque Nazi vacationers, and an iguana tied by its throat to the veranda, all find themselves assembled for a rainy and turbulent night.This is the first trade paperback edition of The Night of the Iguana and comes with an Introduction by award-winning playwright Doug Wright, the author's original Foreword, the short story "The Night of the Iguana" which was the germ for the play, plus an essay by noted Tennessee Williams scholar, Kenneth Holditch."I'm tired of conducting services in praise and worship of a senile delinquent-yeah, that's what I said, I shouted! All your Western theologies, the whole mythology of them, are based on the concept of God as a senile delinquent and, by God, I will not and cannot continue to conduct services in praise and worship of this...this...this angry, petulant old man."        -The Rev. T. Lawrence Shannon, from The Night of the Iguana

The Theatre of Tennessee Williams brings together in a matching format the plays of one of America's most influential and innovative dramatists. Arranged in chronological order, this ongoing series includes the original cast listings and production notes. Volume 1 leads with Battle of Angels, Williams' first produced play (1940), an early version of Orpheus Descending. This is followed by the texts of his first great popular successes: The Glass Menagerie (1945) and the Pulitzer Prize-winning A Streetcar Named Desire (1947), which established Williams's reputation once and for all as a genius of the modern American theatre.

Here are the eleven remarkable stories of Tennessee Williams's first volume of short fiction, originally published in 1948 and reissued as a paperbook in response to an increasingly insistent public demand. It was this book which established Williams as a short story writer of the same stature and interest he had shown as a dramatist. Each story has qualities that make it memorable. In "One Arm" we live through his last hours and memories with a 'rough trade" ex-prizefighter who is awaiting execution for murder. "The Field of Blue Children" explores some of the strange ways of the human heart in love, "Portrait of a Girl in Glass" is a luminous and nostalgic recollection of characters who figure in "The Glass Menagerie," while "Desire and the Black Masseur" is an excursion into the logic of the macabre. "The Yellow Bird," well known through the author's recorded reading of it, which tells of a minister's daughter who found a particularly violent but satisfactory way of expiating a load of inherited puritan guilt, may well become part of American mythology.

"First published as New Directions Paperbook 287, 1970; published simultaneously in Canada by Penguin Books Canada Limited."--T.p. verso.

It is a warm June morning in the West End of St. Louis in the mid-thirties--a lovely Sunday for a picnic at Creve Coeur Lake. But Dorothea, one of Tennessee Williams's most engaging "marginally youthful," forever hopeful Southern belles, is home waiting for a phone call from the principal of the high school where she teaches civics--the man she expects to fulfill her deferred dreams of romance and matrimony. Williams's unerring dialogue reveals each of the four characters of A Lovely Sunday for Creve Coeur with precision and clarity: Dorothea, who does even her "setting-up exercises" with poignant flutters; Bodey, her German roommate, who wants to pair Dotty with her beer-drinking twin, Buddy, thereby assuring nieces, nephews, and a family for both herself and Dotty; Helena, a fellow teacher, with the "eyes of a predatory bird," who would like to "rescue" Dotty from her vulgar, common surroundings and substitute an elegant but sterile spinster life; and Miss Gluck, a newly orphaned and distraught neighbor, whom Bodey comforts with coffee and crullers while Helena mocks them both. Focusing on one morning and one encounter of four women, Williams once again skillfully explores, with comic irony and great tenderness, the meaning of loneliness, the need for human connection, as well as the inevitable compromises one must make to get through "the long run of life."

Tennessee Williams' lesser-known one act plays reveal a tantalising and fascinating perspective to one of the world's most important playwrights.