Böcker av Terry (University of Manchester) Eagleton

A trenchant analysis of sacrifice as the foundation of the modern, as well as the ancient, social order

Presents a wide-ranging and humorous introduction to the English novel from Daniel Defoe to the present day. This book distils the essentials of the theory of the novel. It covers the works of major authors, including Henry Fielding, Samuel Richardson, Laurence Sterne, Walter Scott, Jane Austen, the Brontes, Charles Dickens and George Eliot.

Offers an account of Ireland's neglected "national" intellectuals, an extraordinary group, including such figures as Oscar Wilde's father William Wilde, Charles Lever, Samuel Ferguson, Isaac Butt, Sheridan Le Fanu.

Features a collection of the author's work for the theatre - "St Oscar", "The White", the Gold and the Gangrene", "Disappearances", and "God's Locusts".

Terry Eagleton's work has had a powerful influence in debates about the politics of literature and culture. This book reflects the breadth of his interests. It offers a view of his career to date, raising a number of central issues in literature, culture and politics.

Providing a comprehensive study of tragedy, this book deals with both theory and practice. It explores the idea of the tragic in the novel, examining such writers as Melville, Hawthorne, Stendhal, Tolstoy, Flaubert, Dostoevsky, Kafka, Manzoni, Goethe and Mann, as well as English novelists.

Focuses on discriminating different meanings of culture, as a way of introducing the debates around it. This book offers a critique of postmodern 'culturalism', arguing instead for a more complex relation between Culture and Nature, and trying to retrieve the importance of such concepts as human nature from a non-naturalistic perspective.

This is a bold and original reinterpretation of almost all of Shakespearea s major plays, in the light of the Marxist, feminist and semiotic ideas of our own time.

In this brilliant critique, Terry Eagleton explores the origins and emergence of postmodernism, revealing its ambivalences and contradictions. Above all he speaks to a particular kind of student, or consumer, of popular "brands" of postmodern thought.