This book is the first study of the development of German opera in northern Germany from the first comic operas of Johann Adam Hiller at Leipzig in 1766 to the end of the century. Intellectually and historically German opera was an inseparable part of the new aspirations of the German stage during the Enlightenment.
This addition to the Cambridge Opera Handbooks series is also the first full-length study of Mozart's Die Entfuhrung aus dem Serail. It aims to familiarize the reader with all aspect of the work: Mozart's writing of the opera and its literary antecedents, its plot, its musical structure, its reception and performance history.
Focusing on institutional history, this book explores the Pekin Theater's philosophy of hiring only African American staff, its embrace of multi-racial upper class audiences, and its ready assumption of roles as diverse as community center, social club, and fundraising instrument.
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