Böcker av Thomas P. Quinn

The Behavior and Ecology of Pacific Salmon and Trout combines in-depth scientific information with outstanding photographs and original artwork to fully describe the fish species critical to the Pacific Rim. This completely revised and updated edition covers all aspects of the life cycle of these remarkable fish in the Pacific: homing migration from the open ocean through coastal waters and up rivers to their breeding grounds; courtship and reproduction; the lives of juvenile salmon and trout in rivers and lakes; migration to the sea; the structure of fish populations; and the importance of fish carcasses to the ecosystem. The book also includes information on salmon and trout transplanted outside their ranges.Fisheries expert Thomas P. Quinn writes with clarity and enthusiasm to interest a wide range of readers, including biologists, anglers, and naturalists. He provides the most current science available as well as perspectives on the past, present, and future of Pacific salmon and trout.In this edition:Over 100 beautiful color photographs of salmon and troutUpdated information on all aspects of the salmon and trout life cycleExpanded coverage of trout

Essays in this volume seek to clarify the meaning of tragedy and the tragic in its many German contexts, art forms, and disciplines, from literature and philosophy to music, painting, and history.The many catastrophes of German history have often been described as tragic. Consequently, German literature, music, philosophy, painting, and even architecture are rich in tragic connotations. Yet exactly what "e;tragedy"e; and "e;thetragic"e; may mean requires clarification. The poet creates a certain artful shape and trajectory for raw experience by "e;putting it into words"e;; but does putting such experience into words (or paintings or music or any other form) betray suffering by turning it into mere art? Or is it art that first turns mere suffering into tragic experience by revealing and clarifying its deepest dimension? What are we talking about, exactly, when we talk about tragic experience and tragic art, especially in an age in which, according to Hannah Arendt, evil has become banal? Does banality muffle or even annul the tragic? Does tragedy take suffering and transform it into beauty, as Schiller thought?Is it in the interest of truth for suffering to be "e;beautiful"e;? Is it possible that poetry, music, and art are important because they in fact create the meaning of suffering? Or is suffering only suffering and not accessible to meaning, tragic or otherwise? This book comprises essays that seek to clarify the meaning of tragedy and the tragic in its many German contexts, art forms, and disciplines, from literature and philosophy to music, painting, and history. Contributors: Jeffrey A. Bernstein, Stephen D. Dowden, Wolfram Ette, Jennifer Anna Gosetti-Ferencei, Barbara Hahn, Karsten Harries, Felicitas Hoppe, Joseph P. Lawrence, James McFarland, Karen Painter, Bruno Pieger, Robert Pirro, Thomas P. Quinn, Mark W. Roche, Helmut Walser Smith. Stephen D. Dowden is Professor of German language and literature at Brandeis University. Thomas P. Quinn is an independent scholar.